Gladys-Katherina Hernando Application PackageHernando Gladys-Katherina RNAME:
Last Name First Name Middle Initial
423 W 30 Street Miami BeachHOME ADDRESS:
Apt No.Home No./Street City
FL 33140
State Zip Code
3057983764 305983764PHONE:
Home Work
holagkhernando@gmail.com
Email Address
Miami Beach
Street
423 W 30 Street
City
FL
State
33140
Zip Code
Address:
Hernando's Hideaway Position:Business Name:Curator
Pursuant to City Code section 2-22(4) a and b: Members of agencies, boards, and committees shall be affiliated with the city; this
requirement shall be fulfilled in the following ways: a) an individual shall have been a resident of the city for a minimum of six
months; or b) an individual shall demonstrate ownership/interest for a minimum of six months in a business established in the city.
YesƔ5HVLGHQWRI0LDPL%HDFKIRUDPLQLPXPRIVL[ PRQWKV
Ɣ'HPRQVWUDWHDQRZQHUVKLSLQWHUHVWLQDEXVLQHVVLQ0LDPL%HDFKIRUDPLQLPXPRIVL[ PRQWKV
Ɣ$UH\RXDUHJLVWHUHGYRWHULQ0LDPL%HDFK
Ɣ 3OHDVHcircle one): I am now a resident of:
Ɣ,DPDSSO\LQJIRUDQDSSRLQWPHQWEHFDXVH,KDYHVSHFLDODELOLWLHVNQRZOHGJHDQGH[SHULHQFH3OHDVHOLVWEHORZ
Ɣ$UH\RXSUHVHQWO\DUHJLVWHUHGOREE\LVWZLWKWKH&LW\RI0LDPL%HDFK"
Yes
Yes
South Beach
No
I have 10 years experience working with art galleries, museum institutions, and cofounded a successful nonprofit space in Los
Please list your preferences in order of ranking [1] first choice [2] second choice, and [3] third choice. Please note that only three (3)
choices will be observed by the City Clerk’s Office. (Regular Boards of City)
Choice 1:
Choice 2:
Choice 3:
Art in Public Places Committee
Cultural Arts Council
Design Review Board
No2. Present participation in Youth Center activities by your children
Note: If applying for Youth Advisory Board, please indicate your affiliation with the Scott Rakow Youth Center:
1. Past service on the Youth Center Advisory Board:
No Years of Service:
ages, and which programs. List below:
if yes, please list the names of your children, their
CITY OF MIAMI BEACH
BOARD AND COMMITTEE APPLICATION FORM
* Board members are required to file Form 1 – "Statement of Financial Interest" with the State.
If you seek appointment to a professional seat (e.g., lawyer, architect, etc.) on the Board of Adjustment, Design Review
Board, Historic Preservation Board or Planning Board, attach a copy of your currently-effectively license, and furnish the
following information:
Type of Professional License_______________________________ License Number
______________________________
License Issuance Date ___________________________________ License Expiration Date
_______________________
NoƔHave you ever been convicted of a felony:If yes, please explain in detail:
ƔDo you currently have a violation(s) of City of Miami Beach codes:No If yes, please explain in detail:
ƔDo you currently owe the City of Miami Beach any money:No If yes, please explain in detail:
ƔAre you currently serving on any City Boards or Committees:No If yes, which board?
ƔWhat organizations in the City of Miami Beach do you currently hold membership in?
ƔList all properties owned or have an interest in, which are located within the City of Miami Beach:
ƔI am now employed by the city of Miami Beach:No Which department?
The following information is voluntary and is neither part of your application nor has any bearing on your consideration for appointment. It is
being asked to comply with federal equal opportunity reporting requirements.
noneGender:
Physically Challenged:No
none
Race/Ethnic Categories
What is your race? Mark one or more races to indicate what you consider yourself to be.
Other Description:
Are you Spanish/Hispanic/ Latino? Mark the "No" box if not Spanish / Hispanic / Latino.No
NOTE: If appointed, you will be required to follow certain laws which apply to city board/committee members.
These laws include, but are not limited to, the following:
o Prohibition from directly or indirectly lobbying city personnel (Miami Beach City Code section 2-459).
o Prohibition from contracting with the city (Miami-Dade County Code section 2-11.1).
o Prohibition from lobbying before board/committee you have served on for period of one year after leaving office (Miami
Beach Code section 2-26).
o Requirement to disclose certain financial interests and gifts (Miami-Dade County Code section 2-11.1).
(re: CMB Community Development Advisory Committee): prohibition, during tenure and for one year after leaving office,
from having any interest in or receiving any benefit from Community Development Block Grant funds for either yourself,
or those with whom you have business or immediate family ties (CFR 570.611).
Upon request, copies of these laws may be obtained from the City Clerk.
“I hereby attest to the accuracy and truthfulness of the application and have received, read and will abide by Chapter 2, Article
VII – of the City Code “Standards of Conduct for City Officers, Employees and Agency Members.”
I Gladys-Katherina Hernando agreed to the following terms on 3/13/2019 2:38:25 PM
Received in the City Clerk's Office by:
Name of Deputy Clerk
Control No.
Date
GLADYS-KATHERINA HERNANDO
423 W. 30 Street, Miami Beach, FL 33140
305-798-3764 ~ holagkhernando@gmail.com
gladyskhernando.com ~ hernandoshideaway.org
Biography:
Born to Cuban parents and raised on Miami Beach, curator, cultural producer, and writer Gladys-
Katherina Hernando spent many years participating in the art community of Los Angeles organizing
exhibitions in local and international galleries, public spaces, and on the web. In 2015 alongside
two other female curators she created and developed the nonprofit art space JOAN in Los
Angeles. Alongside her experience producing exhibitions, programs, fundraisers, and events, she is
adept at independent academic research and is well-versed in the knowledge of music history,
architecture and design, website and logo design/branding, and the workings of contemporary art
institutional structures. Since 2006 she has travelled to her family’s hometown of Guantánamo,
Cuba and is knowledgeable in the history of Cuba and the Cuban Revolution. She also collects
vintage typewriters and loves to dance.
Education:
2010–2012: Master of Arts, Curatorial Practices in the Public Sphere, University of Southern
California, Los Angeles
2000–2004: Bachelor of Fine Arts, Otis College of Art & Design, Los Angeles
Additional Education:
2012: Curatorial Residency, Node Center for Curatorial Studies, Berlin, Germany
2006: Certificate in Arts Administration, New York University, New York, New York
2003: Getty Multicultural Undergraduate Internship Program, The Getty Foundation, Los
Angeles
Selected Employment:
October 2018–Present: Founder, Curator, Producer, Hernando’s Hideaway, Miami Beach
-Develop framework for brick and mortar garage gallery and sculpture lawn at personal
residence for the public and as a nonprofit space
-Design and create logo and website
-Develop content for marketing and social media
-Manage the transportation of artworks, handling, and storage
-Schedule and execute the installation of exhibitions independently and with art handlers
-Maintain quality of exhibition viewing spaces
-Produce collateral for promotion of exhibitions, e.g. printed postcards and stickers
-Collaborate with artists in the conception of exhibitions
-Develop long-term timelines and strategic planning for future of art space
-Grant writing and development of proposals
February 2015–January 2017: Cofounder and Curator, JOAN, Los Angeles
of 1 6
GLADYS-KATHERINA HERNANDO
423 W. 30 Street, Miami Beach, FL 33140
305-798-3764 ~ holagkhernando@gmail.com
gladyskhernando.com ~ hernandoshideaway.org
-Develop framework, exhibitions, and programs to create nonprofit art space
-Produce exhibitions, events, and public programs for three years
-Participate in the production of three benefit events, online fundraisers, and public auctions
-Handle and execute budgets, loan and consignment agreements, timelines, checklists,
press releases
-Maintain quality of brick and mortar space and collaborate with art handers during
installations
-Collaborate in all daily management aspects alongside two partners and fellow curators
-Manage all registration related to the transportation of objects and their storage
-Create and develop branding and website for space both independently and with web
developer
March 2014–July 2015: Curatorial Assistant, The Museum of Contemporary Art, Los Angeles
-Participate in the organization and execution of exhibitions, specifically: Cinema Vezzoli
(April 2014), Cameron: Songs for the Witch Woman (October 2014), William Pope.L: Trinket
(March 2015), Permanent Collection (March 2015), and Selections from the Permanent
Collection 1940–1980 (May 2015)
-Participate in the development of future exhibitions, including: Matthew Barney: River of
Fundament (September 2015), Catherine Opie: 700 Nimes Road (January 2016), Don’t
Look Back: the 1990s at MOCA (Summer 2016), and Kerry James Marshall (Spring 2017)
-Experience installing art work at three venues, including MOCA Grand Avenue, The Geffen
Contemporary at MOCA, and the Pacific Design Center
-Coordinate exhibition logistics in conjunction with Exhibition Management, Exhibition
Production, Registration, Communications, and Development departments
-Acted as Rights & Reproduction Image Coordinator to process incoming reproduction
requests from outside institutions of permanent collection images and past exhibition
images from both digital and analog sources (May 2014–April 2015)
-Publications Coordinator for William Pope.L: Trinket, compiling materials, images, and text
for oversize fold-out publication with essays by the Curator and the Artist
-Manage the hiring, scheduling, payroll, and maintenance of 5 performance artists over 16
weeks for William Pope.L’s installation Migrant, a part of Trinket, at The Geffen
-Compile and manage the relocation of permanent collection storage from three different
venue locations
-Write and compile collateral for Cinema Vezzoli gallery guide
-Create checklists and generate loans using The Museum System (TMS)
-Research and write core exhibition texts for preliminary release
-Create tombstone labels and write didactic texts
-Edit press releases, program calendars, and other museum generated materials
-Research and write object recommendations for museum acquisitions and gifts
of 2 6
GLADYS-KATHERINA HERNANDO
423 W. 30 Street, Miami Beach, FL 33140
305-798-3764 ~ holagkhernando@gmail.com
gladyskhernando.com ~ hernandoshideaway.org
-Research and utilize Permanent Collection object files
-Create new content for MOCA website/blog
-Support the daily tasks, correspondence, and requests from Chief Curator Helen
Molesworth, Senior Curators Alma Ruiz and Bennett Simpson, and Assistant Curator Lanka
Tattersall
-Support the development and execution of communications, development, and marketing
for exhibition programs
April 2013–October 2014: Editions & Events Coordinator, East of Borneo, Los Angeles
-Develop and curate programs and discursive events
-Write project proposals and budgets
-Create collateral and promote projects for marketing purposes
-Conceptualize and produce limited edition artworks with artists Liz Glynn, Barbara Kruger,
and Dave Muller
-Manage logistics and create progress reports for superiors
-Mediate between artist and fabricators
-Transcribe and write articles for online distribution
-Image research
March 2012–June 2012: Project Coordinator, The One & The Many: Roski School of Fine Arts
Annual Undergraduate Exhibition, University of Southern California Fisher Museum, Los
Angeles
-Liason between three curators and juried undergraduate art students
-Supported all aspects of exhibition production
-Develop work flow and timeline for project execution
-Create and manage checklist of over 120 artworks
-Liaison between students, curators, and museum staff
September 2006–January 2011: Director, Richard Telles Fine Art, Los Angeles
-Support development and organization of gallery exhibitions
-Collaborate on the production of art catalogues- including Richard Hawkins, Ginny
Bishton, John Knight, Mathias Poledna, and Lisa Lapinski
-Manage consignments and loans with international galleries and museums
-Research and document the history of gallery acquisitions
-Created and implemented a Sales History program for provenance of all artworks sold in
gallery history
-Write press releases and create press packets
-Support art sales and collector relationships in the gallery and at art fairs, including The
Armory Show and Art Basel Miami Beach
of 3 6
GLADYS-KATHERINA HERNANDO
423 W. 30 Street, Miami Beach, FL 33140
305-798-3764 ~ holagkhernando@gmail.com
gladyskhernando.com ~ hernandoshideaway.org
-Manage daily gallery activities and correspondences
-Handle art works and transportation with shipping companies
-Correspond with artists, curators, critics, collectors, and gallery visitors
Internships:
August 2011–May 2012: Graduate Professional Internship, Education Department, Los
Angeles County Museum of Art, Los Angeles
-Assist in the organization of the exhibition A is for Zebra, including wall labels and
installation Produce a wall mural for the installation of a Cathy Berberian piece, Stripsody
at the Charles White Elementary School Gallery, Los Angeles, December 2–March 30,
2012
June 2003–July 2003: Getty Multicultural Undergraduate Internship Program, Education
Department, Los Angeles County Museum of Art, Los Angeles
-Develop promotional materials for Circle of Bliss exhibition
-Assist in the development of elementary school teacher workshops
-Create Art Search for Asian Autumn at LACMA, a literary map for children
-Compile information related to the Evenings for Educators program and the Teacher’s
Academy
Curated Exhibitions:
2019:
Sarah Miska: Impressions, Hernando’s Hideaway, Miami Beach, January 26–March 3, 2019.
2018:
Yaron Michael Hakim: Prototipo, Hernando’s Hideaway, Miami Beach, October 13–December
16, 2018.
Las Lenguas, BBQLA, Los Angeles, April 28–June 21, 2018. Works by Manny Castro, Alan
Gutierrez, Yaron Michael Hakim, Shaun Johnson, Sofía Londoño, Jesse Mockrin, Nora
Riggs, Ellen Schafer, and Hiejin Yoo.
2017:
More Light, JOAN, Los Angeles, September 9–November 12, 2017. The exhibition presented
work by Loren Abbate, C. P. Badger, Michael Carter, Manny Castro, Michael Genovese,
Marcos Lutyens, Adam D. Miller, Christina Ondrus, Ali Prosch, David Schafer, Katie Shapiro,
Astri Swendsrud, Mungo Thomson, and Landon Wiggs.
Curated Care Packages, Jonathan Hartshorn, June 1–30, 2017.
2016:
Clarissa Tossin: Encontro das Águas (Meeting of Waters), JOAN, Los Angeles, October 8–
November 19, 2016.
Vitrine: Galería Perdida: I Want to Blush, F***kers!, JOAN, Los Angeles, October 8–November
of 4 6
GLADYS-KATHERINA HERNANDO
423 W. 30 Street, Miami Beach, FL 33140
305-798-3764 ~ holagkhernando@gmail.com
gladyskhernando.com ~ hernandoshideaway.org
19, 2016.
Nick Bastis and Nick Raffel, JOAN, Los Angeles, June 18–July 24, 2016.
2015: Jill Spector: The Editor’s President: Models and Mock-Ups for Elaine May, Nora Kaye,
and Eileen Gray, vitrine installation, JOAN, Los Angeles, September 12–October 11, 2015.
Mark Hagen: The Outdoor Type, site-specific installation, JOAN, Los Angeles, July 11–August
9, 2015.
Fay Ray: Hanging Sculptures, site-specific installation, JOAN, Los Angeles, May 25–June 17,
2015.
The Elegant Universe, featuring new sculptures by Olivia Booth, Rod Fahmian, Sonja Gerdes,
and Nora Shields, The Pit, Los Angeles, April 12–May 10, 2015.
2014: Entropic Relations Part 1 & 2, featuring solo projects by Rod Fahmian and Zaid Yousef,
Riverside, California, November 22 and 29, 2014.
The White Album, Richard Telles, Los Angeles, July 19–August 16, 2014. The exhibition
included Christopher Badger, Kristin Beinner James, Eduardo Consuegra, Alika Cooper, Dan
Finsel, Mark Hagen, Daniel Ingroff, Barry Johnston, James Krone, Max Maslansky, Dianna
Molzan, Laurie Nye, Fay Ray, Amanda Ross-Ho, Katherine Ryan, Semi-Tropic Spiritualists,
Owen Schmit, Mary Weatherford, and Jonas Wood.
2013: For an idea of the desert: Nora Jean Petersen & Fay Ray, part of an exhibition,
Shangrila 2013: Burrito Deluxe curated by Jesse Benson and Steven Bankhead, Shangrila,
Joshua Tree, California, August 31, 2013.
Danielle Adair & Natalie Häusler, Infernoesque, Berlin, July 19, 2013.
Summer Issues Cooperative, in conjunction with East of Borneo and Greene Exhibitions, Los
Angeles, June 26–July 13, 2013. Co-organized with Stacey Allen and exhibition design by
Lauren Kima Greycar.
2012: Letters from the Field, produced by Node Center for Curatorial Studies, Berlin, August
22–26, 2012. Featuring work by Heba Amin, Stephan Backes, Megan Cotts, Regina De
Miguel, Kate Hers, Sharon Houkema, Klaas Hübner, Michiel Huijben, Stine Marie Jacobsen,
Lindsay Lawson, Ruth Le Gear, François Martig, Alex Martinis Roe, Lynda Amer Meziane,
Nicolas Puyjalon, Annika Rixen, Rebecca Smith, Aiko Tezuka, Ciarán Walsh, and Ylva
Westerlund.
Radio Break: Two Weekends of Artists’ Low-Power Radio Transmissions and Live
Performances, various locations, Los Angeles, April 14–22, 2012, featuring work by 2 Headed
Dog, Elana Mann with ARLA and the People’s Microphony Camerata, Brandon LaBelle,
Vanessa Place, Alyce Santoro, David Schafer, Brendan Threadgill, Lincoln Tobier, Lucy Raven,
Pedro Reyes, Arnoldo Vargas, and Richard T. Walker.
2010: Signs of Life, Richard Telles, Los Angeles, June 26–July 23, 2010. Featuring work
by Emilie Halpern, Lorna MacIntyre, Kris Martin, Lisa Tan, and Greg Wilken.
2008–2014: Light & Wire Gallery, online platform gallery space, Los Angeles, July 2008–
December 2014. Projects include collaborations with Sensitive Boys, Owen Schmit & Joe
of 5 6
GLADYS-KATHERINA HERNANDO
423 W. 30 Street, Miami Beach, FL 33140
305-798-3764 ~ holagkhernando@gmail.com
gladyskhernando.com ~ hernandoshideaway.org
Speier, Lesley Moon, Max Maslansky, Lia Trinka-Browner, Nikki Darling, Rachel Mason, Sonja
Gerdes, Paul Pescador, Bret Nicely & Jill Spector, Itza Vilaboy and Nora Riggs, Alex Martinis
Roe, Heba Amin, Elizabeth Pedler, Cal Crawford, Ciarán Walsh, Fay Ray, Kristin Beinner
James, Stephan Backes, Vanessa Chow, Jessica Minckley, Rashell George, Gregory Michael
Hernandez, Bhakti Baxter, Galería Perdida, Haoyan of America, Daniel Newman, Analia
Saban, Lia Lowenthal, Marie Jager, Jacob Ciocci and Jeff Crouse, Michael Smoler, Chris
Lipomi, Emilie Halpern, Lindsay Ljungkull, Suzanne Oshinsky, Andy Parker, Nora Jean
Petersen, Jakrawal Nilthamrong, Tulapop Saenjaroen, Taiki Sakpisit, Chulayarnnon Siriphol,
Ethan Ayer and Jacob Melchi, Heather Cook, Candace Nycz, Heather Rasmussen, Brendan
Threadgill, Daniel Cummings, Tamara Sussman, Matt MacFarland, David Horvitz, Greg
Wilken, Rachel Peddersen, Lisa Williamson, Anthony Bodlović, Michael Carter, Akina Cox,
Ronald Dzerigian, Finishing School, Zach Kleyn, Jason Kunke, Matt McAuliffe, Shana Moulton,
Christina Ondrus, Sarah Petersen, Semi-Tropic Spiritualists, Joe Smith, Marnie Weber, Emily
Hannah Rose Steinfeld, and pirate_utopia. With projects curated by Lauren van Haaften-
Schick, Becky Koblick, Lauren Reid, Astri Swendsrud, and Quinn Gomez-Heitzberg.
Skills:
Technologically fluent with The Museum System (TMS) program
Strong administrative, business, and organizational skills
Experience with primary research, copyediting, proofreading
Extensive knowledge of art history, theory, contemporary art, and exhibitions
Experience with the conceptualization and execution of exhibitions and publications
Familiar with branding and the development of early-stage marketing and implementation
Comfortable with public speaking
Native Spanish
Awards & Recognition:
May 2012: Commencement speaker, Representative of the Master of Arts, Art & Curatorial
Practices in the Public Sphere, University of Southern California, Los Angeles
2010–2012: Master of Public Art Studies Scholarship Award, Roski School of Fine Art,
University of Southern California, Los Angeles
Spring 2003: Saul & Sally Fifer Bernstein/Friends of Joe Mugnaini Award for Excellence in
Drawing, Otis College of Art and Design, Los Angeles
References:
Alma Ruiz-Furlan, Independent Curator: 323-547-4233
Catherine Taft, Deputy Director and Curator, LAXART, Los Angeles: 323-871-4140
Richard Telles, Director and Owner, Richard Telles Fine Art, Los Angeles: 323-965-5578
of 6 6