Loading...
Silvia Barisione Application PackageBarisione Silvia Last Name First Name Middle Initial 3 Island Avenue 15B Miami Beach Home Address City FL 33139 State Zip Code 13055352686 HomeWork silviab@thewolf.fiu.edu Email Address 17865313945 Cellular Miami Beach Business Address 1001 Washington Avenue City FL State 33139 Zip Code The Wolfsonian-FIU Occupation:Business Name: Chief Curator Please list your preferences in order of ranking [1] first choice [2] second choice, and [3] third choice. Please note that only three (3) choices will be observed by the City Clerk’s Office. (Regular Boards of City) Choice 1: Choice 2: Choice 3: Art in Public Places Committee BOARD AND COMMITTEE APPLICATION FORM Note:If applying for the At-Large position of the Historic Preservation Board, please answer the below questions: Have you ever resided in one of the City's Historic Districts for at least one year?No No Address in City Historic District submitted. Professional License No Professional Licenses Submitted. Note:If you are seeking appointment to a professional seat (e.g. attorney, architect, etc.), you must attach a copy of your currently effective corresponding professional license. Pursuant to City Code section 2-22(4) a, b and c: Members of Agencies, Boards, and Committees shall be affiliated with the city. This requirement shall be fulfilled in the following ways: YesResident of the City for a minimum of six (6) months: Demonstrate an ownership interest in a business established in the City for a minimum of six (6) months:No AFFILIATION WITH THE CITY OF MIAMI BEACH a. ● I am resident of:South Beach Or b. "Ownership Interest" shall mean the ownership of ten percent (10%) or more (including the ownership of 10% or more of the outstanding capital stock) in a business. "Business" shall mean any sole proprietorship, sponsorship, corporation, limited liability company, or other entity or business association. c.Full-time employee of such a business (for a minimum of six months); and I am based in an office or other location of the business that is physically located in Miami Beach (for a minimum of six months):No Notwithstanding the requirements set forth herein, the qualified full-time employee of a business must be approved by a 4/7th vote of the Mayor and City Commission. NOTE: Members of Agencies, Boards, and Committees shall be required to demonstrate compliance with the City affiliation requirements of section 2-22 (4) a ,b or c of the Miami Beach City Code by executing an affidavit, stipulating that they have met one or more of said affiliation requirements. The original affidavit shall be filled with the Office of the City Clerk prior to being sworn in as a member. Or No● Have you ever been convicted of a felony:If yes, please explain in detail: ● Do you currently have a violation(s) of City of Miami Beach codes:No If yes, please explain in detail: ● Do you currently owe the City of Miami Beach any money:No If yes, please explain in detail: ● Are you currently serving on any City Boards or Committees:No If yes, which board? ● Are you presently a registered lobbyist with the City of Miami Beach?No ● I am applying for an appointment because I have special abilities, knowledge and experience. Please list below: NOTE: IF APPOINTED, YOU WILL BE REQUIRED TO FOLLOW CERTAIN LAWS THAT APPLY TO CITY BOARD/COMMITTEE MEMBERS. THESE LAWS INCLUDE, BUT ARE NOT LIMITED TO: o Prohibition from directly or indirectly lobbying city personnel (Miami Beach City Code section 2-459). o Prohibition from contracting with the city (Miami-Dade County Code section 2-11.1). o Prohibition from lobbying before board/committee you have served on for period of one year after leaving office (Miami Beach Code section 2-26) o Requirement to disclose certain financial interests and gifts (Miami-Dade County Code section 2-11.1). o Sunshine Law - Florida's Government-in-the-Sunshine Law was enacted in 1967. Today, the Sunshine Law regarding open government can be found in Chapter 286 of the Florida Statutes. These statutes establish a basic right of access to most meetings of Boards, Commissions, and other governing bodies of state and local governmental agencies or authorities. o Voting conflict - Form 8B is for use by any person serving at the county, city, or other local level of government on an appointed or elected Board, Council, Commission, Authority, or Committee. It applies equality to members of advisory and non-advisory bodies who are presented with a voting conflict of interest under Section 112.3143. Florida Statutes. o Commencing with terms beginning on or after January 1, 2024, and as a condition of applying for appointment to a City agency, board, or committee, each applicant must voluntarily agree that in the event the applicant files with the City Clerk a Statement of Candidate formally announcing candidacy for City elective office, such filing with the City Clerk shall be deemed a tender of resignation from the City agency, board or committee, and the member's automatic resignation shall thereby immediately create a vacancy in the agency, board, or committee. o If an appointee is engaged to provide services, for compensation, to either (1) a candidate for City elected office, or (2) a political committee or electioneering communications organization expending funds for or against candidates for City elected office, such engagement shall be deemed a tender of resignation from such City agency, board, or committee. (Miami Beach City Code Section 2-22) ● In what organization(s) in the City of Miami Beach do you currently hold membership in? No Organization Information Submitted. ● List the address of all properties owned or in which you have an interest within the City of Miami Beach: Property my apartment If so, which department and title?No● Are you now employed by the City of Miami Beach: ● Pursuant to City Code Section 2-25 (b) and 2-448: Do you have a parent, spouse, child, brother, or sister who is employed by the City of Miami Beach?No If "Yes", identify person(s) and department(s): No relative's information submitted. BOARD & COMMITTEE FINANCIAL ACKNOWLEDGEMENT STATEMENT Acknowledgement of fines/suspension for Board/Committee Members for failure to comply with Miami-Dade County Financial Disclosure Code Section 2-11.1(i)(2) I understand that no later than July 1, of each year all members of Boards and Committees of the City of Miami Beach, including those of a purely advisory nature, are required to comply with Miami-Dade County Financial Disclosure Requirements. One of the following forms must be filled with the City Clerk of Miami Beach, 1700 Convention Center Drive, Miami Beach, Florida, no later than 12:00 noon of July 1, of each year: 1. A "Source of Income Statement;" or 2. A Copy of your latest Federal Income Tax Return. Members of the Planning Board and the Board of Adjustment must electronically file a “Statement of Financial Interests (Form 1)¹” directly with the Florida Commission on Ethics. Failure to file one of these forms, pursuant to the Miami-Dade County Code, may subject the person to a fine of no more than $500, 60 days in jail, or both. Acknowledgment to Comply with Miami Beach Code of Ordinances Sec. 2-22 (23) I understand that commencing with terms beginning on or after January 1, 2024, and as a condition of applying for appointment to a City agency, board, or committee, I voluntarily agree that in the event I file with the City Clerk a Statement of Candidate formally announcing candidacy for City elective office, such filing with the City Clerk shall be deemed a tender of resignation from the City agency, board, or committee. Acknowledgment to Comply with Miami Beach Code of Ordinances Sec. 2-22 (24) I understand that if I am engaged to provide services, for compensation, to either (1) a candidate for City elected office, or (2) a political committee or electioneering communications organization expending funds for or against candidates for City elected office, such engagement shall be deemed a tender of resignation from the City agency, board, or committee. _____________________________ ¹ Members of the Planning Board and Board of Adjustment will be notified directly by the State of Florida, pursuant to F.S. §112.3145(1)(a), to file a Statement of Financial Interests (Form 1) with the Miami-Dade County Supervisor of Elections by 12:00 noon, July 1. Planning Board and Board of Adjustment members who file their Form 1 with the County Supervisor of Elections automatically satisfy the County’s financial disclosure requirement as a Miami Beach City Board/Committee member and need not file an additional form with the Office of the City Clerk. However, compliance with the County disclosure requirement does not satisfy the State requirement. DIVERSITY STATISTICS REPORT The following information is voluntary and has no bearing on your consideration for appointment. It is being asked to comply with City diversity reporting requirements. WhiteRace/Ethnic Categories What is your race? No details providedOther Description: Gender:Female Are you Spanish/Hispanic/ Latino? Mark the "No" box if not Spanish / Hispanic / Latino. No Physically Challenged:No UNDER PENALTIES OF PERJURY, I DECLARE THAT I HAVE READ THE FOREGOING APPLICATION AND THAT THE FACTS STATED IN IT ARE TRUE. ADDITIONALLY, I AGREE AND ACKNOWLEDGE THAT ANY FALSE STATEMENTS OR FALSE INFORMATION SUBMITTED AS PART OF THIS APPLICATION SHALL BE A BASIS FOR MY REMOVAL FROM A CITY BOARD OR COMMITTEE. I HAVE RECEIVED, READ AND WILL ABIDE BY CHAPTER 2, ARTICLE VII, OF THE MIAMI BEACH CITY CODE, ENTITLED “STANDARDS OF CONDUCT FOR CITY OFFICERS, EMPLOYEES AND AGENCY MEMBERS” AND ALL OTHER APPLICABLE CITY, COUNTY, AND/OR STATE LAWS AND STATUTES ACCORDINGLY. I Silvia Barisione agreed to the following terms on 1/31/2025 4:29:20 PM Received in the City Clerk's Office by: Name of Deputy Clerk Control No. Date Board and Committee Application Checklist: Please ensure you have provided all information before applying or reapplying to any Board and Committee. YES YES YES YES I have answered all questions fully. I have uploaded a current resume, photograph, and a copy of any applicable professional license. I have completed and attached the Board & Committee Financial Acknowledgment Statement. I have completed and attached the Diversity Statistics Report. If you have any questions, please contact the Office of the City Clerk via email: BC@miamibeachfl.gov or telephone: 305.673.7411 Note: Florida Statutes 119.071: The role of the Office of the City Clerk is to receive and maintain forms filed as public records. If your home address, telephone numbers, and/or photograph are exempt from disclosure and you do not wish your home address, telephone numbers, and/or photograph to be made public, please: 1) Use your office or other address for your mailing address; 2) Use your office or other telephone number for your contact number; and 3) Do not attach a photograph. YES I voluntarily agree to the resignation from the City agency, board, or committee, if I file a Statement of Candidate for a City Elective Office (1). (1) I understand that commencing with terms beginning on or after January 1, 2024, and as a condition of applying for appointment to a City agency, board, or committee, I must voluntarily agree that in the event I file with the City Clerk a Statement of Candidate formally announcing candidacy for City elective office, such filing with the City Clerk shall be deemed a tender of resignation from the City agency, board, or committee. YES I understand that (2). (2) If am engaged to provide services, for compensation, to either (1) a candidate for City elected office, or (2) a political committee or electioneering communications organization expending funds for or against candidates for City elected office, such engagement shall be deemed a tender of resignation from the City agency, board, or committee. Page 1 of 9 SILVIA BARISIONE Curriculum Vitae EMPLOYMENTS - CURATORIAL EXPERIENCE: From October 2020: Chief Curator at The Wolfsonian–FIU, Miami Beach. From July 2019: Senior Curator at The Wolfsonian–FIU, Miami Beach. From September 2011: Curator at The Wolfsonian–FIU, Miami Beach. From October 1991 to August 2011: Curator and Registrar at the Mitchell Wolfson Jr. Collection in Genoa, Italy, now Wolfsoniana – Palazzo Ducale Fondazione per la Cultura, Genoa. From 1990 to 1991: Assistant Director Galleria Chisel, Contemporary Art Gallery in Milan. EXHIBITIONS: 2024 In Balance by Hettler.Tüllmann, Miami Beach, The Wolfsonian–FIU. 2023 Simon Chaput: Miami Beach Art Deco Architecture, Miami Beach, The Wolfsonian–FIU. The Big World: Alternative Landscapes in the Modern Era, Miami Beach, The Wolfsonian–FIU (co- curator). Bridge Deconstruction Site, with misael soto and the Department of Reflection, Miami Beach, The Wolfsonian–FIU. 2021 Shameless: Bas van Beek, Miami Beach, The Wolfsonian–FIU. Dominga's Photo Studio, installation by artist Juan Luis Matos, Miami Beach, The Wolfsonian–FIU. 2020 Color and Form: American Depression Glass, Miami Beach, The Wolfsonian–FIU. 2019 Destination Deco, Miami International Airport’s North Terminal D. 2018 Enter The Design Age. Installation by H5, Miami Beach, The Wolfsonian–FIU. Made in Italy. MITA Textile Design 1926–1976, Miami Beach, The Wolfsonian–FIU (co-curator). Deco. Luxury to Mass Market, Miami Beach, The Wolfsonian–FIU (co-curator). 2016 Modern Dutch Design, Miami Beach, The Wolfsonian–FIU. More is More. Installation by Christie van der Haak, Miami Beach, The Wolfsonian–FIU. 2014 Boom, Bust, Boom: Downtown Miami Architecture 1920s-1930s, Miami Beach, The Wolfsonian– FIU. I Have Seen the Future: Norman Bel Geddes Designs America, Miami Beach, The Wolfsonian–FIU (venue curator). 2013 The Birth of Rome, Miami Beach, The Wolfsonian–FIU. Rendering War: The Murals of A.G. Santagata, Miami Beach, The Wolfsonian–FIU. Echoes and Origins: Italian Interwar Design, Miami Beach, The Wolfsonian–FIU. 2012 Postcards of the Wiener Werkstätte. Selections from the Leonard A. Lauder Collection, Miami Beach, The Wolfsonian–FIU (venue curator). 2011 Italia Unita, Genoa, Wolfsoniana (co-curator). Page 2 of 9 2010 Novecento a tavola, Genoa, Wolfsoniana (co-curator). 2009 Pubblicità e Propaganda. Ceramica e grafica futuriste, Genoa, Wolfsoniana (co-curator). Galileo Chini e le terme Berzieri di Salsomaggiore, Genoa, Wolfsoniana (co-curator). 2008 Dittatura di partito e vita quotidiana nella DDR, Genoa, Wolfsoniana (venue-curator). Antonia Campi. Ceramica e Design, Genoa, Wolfsoniana (co-curator). 2007 Garibaldi il mito. Manifesti e propaganda, Genoa, Wolfsoniana (co-curator). Galileo Chini e i cicli decorativi per la Biennale di Venezia, Genoa, Wolfsoniana (co-curator). 2006 Mita. Tessuti d’arte a Nervi, Genoa Nervi, Ex-Municipio (co-curator). 2005 Installation of the newly opened Wolfsoniana and Momenti della decorazione murale in Italia 1920-1940. Genoa, Wolfsoniana (co-curator). 2004 Architetture in Liguria dagli anni Venti agli anni Cinquanta, Genoa, Palazzo della Nuova Borsa (co-curator). Stelle sul mare. Immagini e immaginario della vita sui transatlantici, La Spezia, Palazzina delle Arti (co-curator). 2003 Arte a Palazzo. La Collezione Wolfson 1880-1945, Genoa, Palazzo della Regione and Palazzo Ducale (co-curator). La Collezione Wolfson. Testimonianze dell’arte italiana tra le due guerre, La Spezia, Palazzina delle Arti (co-curator). 2002 Under Mussolini. Decorative and Propaganda Arts of the Twenties and Thirties, London, Estorick Collection (co-curator). Six Wonderful Days. Un invito al viaggio sulle grandi navi italiane, Genoa, Palazzo della Nuova Borsa and Museo dell'Accademia Ligustica di Belle Arti (co-curator). 2001 Parole e immagini futuriste dalla Collezione Wolfson - Futurist Words and Images from the Wolfson Collection, New York, New York University-Casa Italiana Zerilli Marimò; San Francisco, Museo ItaloAmericano; Genoa, Palazzo Ducale. 1999 Wonderwall (featuring four Genoa based artists, Pietro Millefiore, Roberto Schiavi, Massimo Palazzi, Cesare Viel), Genova, Il Pozzo (with V. Dapelo). Luigi Vietti. Architetture 1928-1998, organized in collaboration with the Ordine degli Architetti della Provincia di Genova, Genoa, Palazzo Ducale (with V. Scelsi). La visione del Prisma. La Collezione Wolfson, Parma, Palazzo della Pilotta (co-curator). 1996 La Collezione Wolfson. Aspetti dell'Arte Italiana tra le due guerre, Genoa, Palazzo Ducale (co- curator). Page 3 of 9 PUBLICATIONS: “Futurist and mechanical influences in Bauhaus graphics”, in F. Benzi and R. Cohen Tervaert, Futurism & Europe: The Aesthetics of a New World (Yale University Press: New Haven, 2023). Shameless by Bas van Beek at The Wolfsonian, exhibition catalogue in collaboration with Het Nieuwe Instituut, Rotterdam, 2021. “L’Architecture de Miami Beach”, in E. Bréon (ed.), L’Art Déco: France, Amerique du Nord (Norma Éditions: Paris, 2021). “Craftsmanship and Industrial Production of Italian Furniture During the Interwar Period”, in R. Barron-Duncan, T. Norris (eds.), The Journal of Modern Craft, Volume 13, 2020. “The reception of World War I monuments: From the Ossari to the Case del, Mutilato”, in Kay Bea Jones, Stephanie Pilat (eds.), The Routledge Companion to Italian Fascist Architecture: Reception and Legacy (Routledge: New York, 2020) “Lyda Levi e il rinnovamento del design italiano del dopoguerra”, in Ceramica e Arti Decorative del ‘900 # 5, January 2020. “Around the World with Art Deco”, in The Magazine Antiques, December 6, 2018. “The MITA Factory: An Example of Italian Rationalist Architecture”, in S. Barisione et al. (eds.), Made in Italy. MITA Textile Design 1926–1976, Genoa: Sagep, 2018. “Modern Dutch Design: Currents and Tensions”, in S. Barisione. J. Mogul (eds.), Modern Dutch Design, The Wolfsonian–FIU, Miami Beach 2016. “La Fabbrica Mita di Luigi Carlo Daneri”, in M. Fochessati, G. Franzone (eds.), La trama dell’arte. Arte e design nella produzione della MITA 1926-1976, Sagep, Genoa 2016. “Just One Word: Plastics”, in Primitive Hut, Giovanni Beltran, Miami 2016. “Otto Wagner, Royal Waiting Room, Imperial Station, Vienna Metropolitan Railway”, in C. A. Larsen, Philodendron: From Pan-Latin Exotic to American Modern, The Wolfsonian–FIU, Miami Beach 2015. Ville in Riviera tra eclettismo e razionalismo (Updated Edition), Sagep, Genoa 2015. “Bauhaus and the Spread of Functionalism”, in G. Celant (ed.), Arts & Foods. Rituals since 1851, exhibition catalogue, La Triennale di Milano, Electa, Milan 2015. “Curator’s Eye. FontanaArte”, in Modern, Summer 2015. “The Costruction of the Case del Mutilato”, in S. Barisione, M. Fochessati, G. Franzone (eds.), Rappresentare la guerra A.G. SANTAGATA Rendering War, Sagep, Genoa 2014. “Futurist Ceramics”, in V. Greene (ed.), Italian Futurism, 1909-1944: Reconstructing the Universe, Guggenheim, New York 2014. The Birth of Rome. Five Visions for the Eternal City, The Wolfsonian–FIU, Miami Beach, 2013. “The Wolfsonian–FIU un museo di arti decorative e design” and “DDD dalle arti decorative al design”, in Cambi Auction Magazine, II, no. 4, September 2012. “La Società italiana Chini alla Stazione Marittima di Ponte dei Mille / Società italiana Chini at Ponte dei Mille Maritime Station” (with M. Fochessati) and “La Stazione Marittima Andrea Doria di Luigi Vietti / The Andrea Doria Maritime Station by Luigi Vietti”, in A. Verdiani (ed.), Le Stazioni Marittime di Genova: viaggi e passaggi / The Maritime Stations of Genoa: Travels and Passages, Sagep, Genoa 2011 “Il collezionista e l’oggetto. Specificità dei musei di arti decorative”, in M. Bruzzone (ed.), Musei di Liguria. Un viaggio nel patrimonio museale delle quattro province, Sagep, Genoa 2011. “Una ricostruzione dalla realizzazione controversa (il piano di ricostruzione di Recco)”, in EccoRecco, no. 18, December 2010. “The Espresso Cup”, in Byggstudio (ed.), The Story of a Mug, Greetings from the Factory, Everyday Life Books Publishing, 2010. Ville in Riviera tra eclettismo e razionalismo, Edizioni La Lontra, Genoa 2010. Page 4 of 9 “Sana e distinta modernità: le argenterie Finzi di Milano”, in S. Barisione, M. Fochessati, G. Franzone, Gli argenti di Arrigo Finzi, Silvana Editoriale, Cinisello Balsamo 2010. “Ceramica e arte pubblicitaria”, in S. Barisione, M. Fochessati, G. Franzone, M.T. Orengo, Pubblicità e Propaganda. Ceramica e grafica futuriste, Silvana Editoriale, Cinisello Balsamo 2009. “Architetture termali di Giulio Bernardini e Ugo Giusti”, in S. Barisione, M. Bonatti Bacchini, M. Fochessati, G. Franzone, Il déco termale. Galileo Chini e le terme Berzieri di Salsomaggiore, Terme di Salsomaggiore e di Tabiano Spa, Salsomaggiore 2009. “Costantino e Faustino Zatti, ebanisti a Brescia”, in I Quaderni della Fondazione Ugo Da Como, VII, no. 15, December 2009. Castello di Gabiano, Edizioni La Lontra, Genoa 2009. “Navigazione Generale Italiana. Interni di navi e palazzi”, in Viaggio in Liguria, no. 1, April 2009. “Antonia Campi negli Stati Uniti. Confronto con Eva Zeisel / Antonia Campi in the United States. Dialogue with Eva Zeisel”, in C. Sironi (ed.), Antonia Campi. Opere scelte / Selected works 1949- 2009, Umberto Allemandi & C., Turin 2009. “Architetture di guerra”, in G. Rossini with C. Masi (eds.), Da Baroni a Piacentini. Immagine e memoria della Grande Guerra a Genova e in Liguria, Skira, Milan 2009. “Duilio Cambellotti. L’arte della ceramica/ The Arts of Ceramics”, in Duilio Cambellotti ceramista, exhibition catalogue, Galleria Terre d’Arte, Turin 2008. “Residenze borghesi a Genova e in Riviera tra Ottocento e Novecento” in G. Bozzo, M. Cambi (eds.), Il Castello Mackenzie a Genova. L’esordio di Gino Coppedè, Silvana Editoriale, Cinisello Balsamo 2008. “Nato il 4 luglio: Garibaldi tra grafica pubblicitaria e arti applicate”, in S. Barisione, M. Fochessati, G. Franzone, Garibaldi il mito. Manifesti e propaganda, Giunti, Florence 2007. S. Barisione, M. Fochessati, G. Franzone, La Collezione Wolfson di Genova / The Wolfson Collection of Genoa, Skira, Milan 2005. “Questioni di linguaggio nelle colonie del regime”, in V. Balducci, Architetture per le colonie di vacanza. Esperienze europee, Alinea, Florence 2005. « Le design italien », in A. Bollé, F. Friès, C. Saturno, Geoguide Italie du Nord 2005/2006, Gallimard Loisirs, Paris 2005. “Lorenzo Volante fotografo di bordo”, in Viaggio in Liguria, II, no. 2, ottobre 2004. S. Barisione, M. Fochessati, G. Franzone, Stelle sul mare. Immagini e immaginario della vita sui transatlantici, Corigraf, Genoa 2004. “Architetture per i transatlantici. Le grandi stazioni marittime in Italia”, in Transatlantici. Scenari e Sogni di Mare, exhibition catalogue, Genova, Galata-Museo del Mare, Skira Milan 2004. “1 Architetto / 1 Città - Ulisse Stacchini / Milano”, in Rivista D’Architettura - Dopo Rossi, no. 23, maggio 2004. “Gli arredi liguri attraverso le Biennali di Monza e le Triennali di Milano” and, with A. Canziani, “Due ville a Bordighera, anzi una”, in S. Barisione, M. Fochessati, G. Franzone, A. Canziani, Architetture in Liguria dagli anni Venti agli anni Cinquanta, Abitare Segesta, Milan 2004. “La Casa del Balilla di Giuseppe Crosa di Vergagni”, in Viaggio in Liguria, I, no. 1, novembre 2003. “Tradizione e Oriente negli arredi tra Ottocento e Novecento della Collezione Wolfson”, in Arte a Palazzo. La Collezione Wolfson 1880-1945, Sagep, Genoa 2003. “La promozione delle compagnie di navigazione attraverso le Triennali milanesi”, in Six Wonderful Days. Un invito al viaggio sulle grandi navi italiane, Tormena, Genoa 2002. “The Decorative Arts in Italy from the Monza ‘Biennale’ to the Milan ‘Triennale’, in S. Barisione, M. Fochessati, G. Franzone, Under Mussolini. Decorative and Propaganda Arts of the Twenties and Thirties, Mazzotta, Milan 2002. “Le industrie femminili negli anni del regime / Female Industries During the Fascist Regime”, in A. Pansera, T. Ocleppo, Dal merletto alla motocicletta. Artigiane/artiste e designer nell'Italia del Page 5 of 9 Novecento, exhibition catalogue, Ferrara, Padiglione d'Arte Contemporanea, Silvana Editoriale, Cinisello Balsamo 2002. “Ceramisti d’eccezione / Exceptional Ceramists”, in S. Barisione, M. Fochessati, G. Franzone, Parole e immagini futuriste dalla Collezione Wolfson / Futurist Words and Images from the Wolfson Collection, Mazzotta, Milan 2001. “Architetture e arredi nella Collezione Wolfson”, in S. Barisione, M. Fochessati, G. Franzone, La visione del prisma. La Collezione Wolfson, Mazzotta, Milan 1999. “La Collezione Wolfson di Genova”, in P. Trucco, S. Palanga (eds.), La biblioteca multimediale di architettura, Atti delle quinte giornate di studio del CNBA, 4-6 June 1998, Genoa 1999. S. Barisione, V. Scelsi, Luigi Vietti. Architetture liguri, Ordine degli Architetti della Provincia di Genova, Genoa 1999. S. Barisione, M. Fochessati, G. Franzone, La Collezione Wolfson. Aspetti dell'Arte Italiana tra le due guerre, Tormena, Genoa 1996. LECTURES: 2023 Lecture: The Art Deco of Our Time: A Constant Aesthetic (Focus on Igor Polevitzky), in the 16th World Congress on Art Deco, Miami Beach, The Jewish Museum-FIU. 2022 Panel Discussion: Agency vs In-House Panel, moderator, Miami, Design Subtropic. Lecture: Soviet Revolutionary Porcelain, in the Symposium Ceramic and Politics, Sèvres Manufacture et Musée nationaux. Lecture: Le Esposizioni Internazionali: dal particolare all’universale, Società di Letture e Conversazioni Scientifiche, Genoa, Palazzo Ducale. 2021 Zoom Lecture: Modern for the Masses as part of the Miami Beach Art Deco Weekend. Zoom Lecture: Iconic Examples of Italian Design organized by the Italian Cultural Society of Naples, Florida Zoom Lecture: Made in Italy: MITA Textile Design, Columbia University, History Class Webinar: Our Ecosystem in Peril: 3 Contemporary Women Artists Respond, ‘Cooperate’! organized by Strength in Numbers/Power with Books & Books, Miami. Webinar: On the Avenue: Claude Cahun and Marcel Moore, The Wolfsonian with MBAS and JMOF. Zoom Lecture: Italian Line Glamour, World Ship Society Port of New York Branch. Panel discussion: Innovating Heritage: Contemporary creation that looks back to look forward”, with Aric Chen, Bas van Beek and Khaled El Mays, Miami Beach, Design Miami/ Miami Art Basel Week 2020 Lecture: Building Women (Margaret Staal-Kropholler) as part of the Miami Beach Art Deco Weekend, The Wolfsonian–FIU. Zoom Lecture: Curator’s Choice: Mediterranean by Design, The Wolfsonian–FIU. Zoom Panel Discussion: #WolfWatch: Metropolis, Zoom webinar The Wolfsonian–FIU Zoom Panel Discussion: Lair: Architecture of Villainry, Zoom webinar The Wolfsonian–FIU with MCAD and AIA Miami. Webinar Italian Design Day. The Italian Way: Creativity, Craftmanship, Innovation, organized by the General Consulate of Italy in Miami on the International Italian Design Day. 2019 Lecture: Modern Dutch Design as part of Dutch Design Lecture Series at the Mint, Charlotte, Mint Museum Uptown. Page 6 of 9 Panel Discussion: Curator Speed Round: 10 Objects, Miami Beach, Design Miami/ Miami Art Basel Week Panel Discussion: Tel Aviv’s White City and South Beach’s Art Deco District, Miami Beach, Jewish Museum of Florida-FIU. Lecture: Made in Italy. MITA Textile Design 1926–1976, Charleston, Dante Alighieri Society at Ashley Hall. Lecture: Italian Line, Warwick, RI, Steamship Historical Society of America. Lecture: Deco Domestic: 3 Modern Homes of the 1930s (Villa Girasole) as part of the Art Deco Weekend, Miami Beach, The Wolfsonian–FIU. 2018 Lecture: Italian Industry, Italian Style, on the exhibition Made in Italy. MITA Textile Design 1926– 1976, Miami Beach, The Wolfsonian–FIU. Lecture: Le memoria deviata: I sacrari della Grande Guerra, Genoa, School of Architecture, University of Genoa. 2015 Lecture: Art Nouveau to Art Deco: Architecture and Decorative Arts in France on the ArtsNaples World Festival, Naples, FL, South Regional Library. 2014 Lecture in the program: Rebirth of Rome: Italian Art and Architecture in the Interwar Period, New York, Italian Cultural Institute. Lecture: Italian Futurist Design: From Furniture to Ceramics on the exhibition Italian Futurism, 1909-1944: Reconstructing the Universe, New York, Salomon R. Guggenheim Museum. 2011 Lecture: Salvare l’architettura del Novecento for the lecture series organized by Italia Nostra, Genova. 2010 Lecture: Multitasking Furniture Design in the 20th Century, ICOM-ICDAD 2010 Annual Conference, What is Modern?, Rotterdam, Museum Boijmans Van Beuningen. Lecture: Claudio Andreani Architetto, on the exhibition, Recco. Il Piano della ricostruzione secondo il progetto dell’architetto Claudio Andreani, Recco, Sala Polivalente; Recco, Villa Dufour. 2009 Lecture: Le dinamiche del secondo Futurismo attraverso le opere della collezione Wolfson for the lecture series, Cent’anni di Futurismo, La Spezia, Camec. Lecture: Ville in Riviera dall’eclettismo al razionalismo for the symposium Villa Dufour. Villeggiatura in Riviera fra Ottocento e Novecento, Settimana della Cultura 2009, Recco, Villa Dufour. Lecture: Italian Futurist Design, Los Angeles, LACMA. Lecture: Art and Technical Innovation in the Works of the Italian Futurist Movement on the ICOM- ICDAD 2009 Annual Conference: The Intersection of Art and Technical Innovation held in Hanover, Germany, Museum August Kestner. 2008 Lecture: Antonia Campi. Ceramic and Industrial Design, ICOM-ICDAD 2008 Annual Conference, Zagreb, Croatia, Museum of Arts and Crafts. 2007 Lecture: L’Archivio e l’Esposizione for the seminary Comunicare l’Architettura, School of Architecture, University of Genoa. Lecture: Back to the Sixties: Idoli del Design for the presentation of the movie La Decima Vittima by Elio Petri during the Film Festival Cinemarch, School of Architecture, University of Genoa. Page 7 of 9 Lecture: Paolo De Poli sulla scena internazionale for the symposium Paolo De Poli maestro padovano nell’arte dello smalto, Padua, Musei Civici agli Eremitani. Lecture: L’Architettura degli anni’30 tra Novecento e Razionalismo for the seminary L’Architettura degli anni’30 a Genova e dintorni, Genoa, Liceo Classico A. D’Oria. Lecture: Exporting Italy 1902–1952, on the ICOM-ICDAD 2007 Annual Conference: Collecting Decorative Arts and Design: Individual Approach and Responsibility for the Universal Heritage. Private Collectors and Public Institutions, held in Vienna, MAK, Austrian Museum of Applied Arts / Contemporary Art. 2006 Lecture: Gli apparati decorativi nelle opere pubbliche del Regime, as part of the Wolfsoniana lecture series, Momenti della decorazione murale in Italia 1920-1940, Genoa, Wolfsoniana. 2005 Lecture: Questioni di linguaggio nelle colonie del regime, in V. Balducci, Architetture per le colonie di vacanza. Esperienze europee, organized by the University of Bologna - School of Architecture and held in Cervia, Teatro Comunale. 2002 Lecture: La Secessione viennese e il nuovo clima artistico all’inizio del secolo and Gli arredi degli architetti. La progettazione d’interni negli anni tra le due guerre, as part of the seminar “Arte decorazione nella prima meta’ del Novecento. Esperienze italiane e internazonali a confronto, organized by Valore Liguria and held in Genoa, Palazzo Ducale. 2001 Lecture: Ceramica futurista on the exhibition, Parole e immagini futuriste dalla Collezione Wolfson - Futurist Words and Images from the Wolfson Collection, Genoa, Palazzo Ducale. 1999 Lecture: La Secessione viennese: architettura e arti decorative, as part of the seminar “Art Nouveau e Secessione” arte, decorazione, letteratura. Le capitali del modernismo nell’Europa Centrale, organized by Valore Liguria and held in Genoa, Palazzo Ducale. 1998 Lecture: La collezione Wolfson di Genova (on the conservation of the architects' archives of the Genoa Wolfson Collection) as part of the seminar, La biblioteca multimediale di architettura organized by the Coordinamento Nazionale Biblioteche di Architettura at the University of Genoa - School of Architecture. Lecture: Contrast between Vernacular and Rationalism in Fascist Youth Buildings as part of the seminar, The Other Modern organized by the University of Miami-School of Architecture and held at the Villa Malaparte in Capri. AWARD AND GRANTS: 2014: Cavaliere dell’Ordine della Stella d’Italia (Knight of the Order of the Star of Italy). 2021: Grant from Creative Industries Fund NL; the Mondriaan Fund; Dutch Culture USA program by the Consulate General of the Netherlands in New York; and the Netherland-America Foundation for the exhibition Shameless: Bas van Beek. 2019: Selected to participate in the International Visitors Programme of Het Nieuwe Instituut organized in collaboration with the Consulate General of the Netherlands in New York in the context of the Dutch Design Week 16-20 October. 2018: Grant from the Consulate General of Italy in Miami for the exhibition Made in Italy: MITA Italian Textile Design 1926–1976, Miami Beach, The Wolfsonian–FIU. 2016: The Netherland-America Foundation grant in support of the production of the companion book to the exhibition Modern Dutch Design, Miami Beach, The Wolfsonian–FIU. Page 8 of 9 2016: Grant from the Consulate General of the Netherlands in New York for the exhibition Modern Dutch Design, Miami Beach, The Wolfsonian–FIU. 2015: NEA grant for the exhibition Modern Dutch Design, Miami Beach, The Wolfsonian–FIU. 2013: Grant from the Istituto di Cultura Italiano New York for the exhibition series: Rebirth of Rome (The Birth of Rome, Rendering War: The Murals of A.G. Santagata, Echoes and Origins: Italian Interwar Design), Miami Beach, The Wolfsonian–FIU. 2013: Grant from Funding Arts Network for the exhibition series: Rebirth of Rome, Miami Beach, The Wolfsonian–FIU. 2013: Grant from Leon Levy Foundation for the exhibition series: Rebirth of Rome, Miami Beach, The Wolfsonian–FIU. 2010: Scholarship to participate in the 59th Attingham Summer School. 2009: NEA grant to research and catalogue Italian works at the Wolfsonian-FIU. 2005: Scholarship from the International Committee of Decorative Arts and Design to participate to the ICOM-ICDAD Annual Conference in Oslo. PROFESSIONAL SERVICE: 2022 Participated in the nomination of candidates for the 2023 Kyoto Prize in Arts and Philosophy, in the field of the Arts (Painting, Sculpture, Craft, Architecture, Photography, Design, etc.) on behalf of the Inamori Foundation and the Kyoto Prize Selection Organization. 2021 Became secretary of the board of the American Friends of Palazzo Ducale (Genoa) 2020 Served as a juror for Design Miami/ 2020: Top 10 Contemporary; Top 10 Historical. Served as a juror for Fountainhead Residency Open Call: Foreign Born Artists Living & Working in the U.S. 2019 Served as a juror for the South Florida Cultural Consortium 18-19. Grant to Contemporary Visual & Media Artists. Regional Jury. Became part of the Advisory Board of the Italian journal CAD900-Ceramica e Arti Decorative del ‘900 2017 Participated in the nomination of candidates for the 2018 Kyoto Prize in Arts and Philosophy, in the field of the Arts (Painting, Sculpture, Craft, Architecture, Photography, Design, etc.) on behalf of the Inamori Foundation and the Kyoto Prize Selection Organization. 2016-17 Serving as a juror for the Samuel H. Kress Foundation – AAMC Affiliated Fellowship at the American Academy in Rome. 2016 Served as a juror for the exhibition Design and its Dimensions, organized by the Young Artist Initiative in partnership with the Miami Design District, Miami, The Moore Building. 2013 Served as a juror for Slideluck Miami, first edition in Miami. Served as a juror for the Design Build – FIU Design Charette organized by Nick Gelpi, Assistant Professor FIU-School of Architecture. 2010 Took part in the advisory committee of the exhibition Italian Futurism, 1909–1944, which opened in February 2014 at the Salomon R. Guggenheim Museum, New York. 2008-09 Page 9 of 9 Took part in the committee of the exhibition Da Baroni a Piacentini. Immagine e memoria della Grande Guerra a Genova e in Liguria, Genoa, Palazzo Reale. 2008-13 served as Secretary of the Board of ICOM-ICDAD (International Council of Museums - International Committee of Decorative Arts and Design) 2001-02 Took part in the committee for the reinstallation of the Galleria Comunale d’Arte Moderna di Genova reopened in 2004 with holdings from the Genoa Wolfson Collection. MEMBERSHIPS: AAMC (Association of Art Museum Curators) since 2012. Alumni - The Attingham Trust since 2010. ICOM-ICDAD (International Council of Museums - International Committee of Decorative Arts and Design) since 2005. DOCOMOMO Italia (Documentation and Conservation of Buildings of the Modern Movement) from 2006 to 2012. TEACHING: From 2005 to 2011: Teaches the Design and Italian Culture course for the Fall and Spring semesters as part of the Florida International University’s Architecture program in Genoa. EDUCATION: 1990: Bachelor’s and Master’s Degree in Art History and German Literature at the University of Genoa with a thesis on Austrian architecture in the World's Expositions between the 19th and the 20th century. 1983: diploma of High School Maturity at Civico Liceo Linguistico Grazia Deledda, Genoa.