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i _ c 'I - L . House of Beads, Careful)
e, '4 Chosen Gallery, Poco Pazzo,Candy
Oat ;,
i 4 , _
1 Mountain, 9th Charra, Futon City
15. South Florida Art Center
ad 6 (teaching, exhibition space; studios)
)
16. Under Sea Beauty Salon, La
iii Vitrine (furniture), Pietro's restaurant
Mi ;iI,IAN nvr 17. Rite-Aid drug store, Moseley's
(fine linens shopif ), Design Center of
ee- ---�� I ?eI Miami Beach, Roland's Children's
,
s and `I .�w1 __, - I` I Francis (hair), GW(gay gifts)
yet Iiis.",..
% I 18. New Concept Video, Terri's
th �) - r A Treasures
end -
I - - = 19. Sherona of Key West (art studio),
'ban O '� Imperfect Utopia (Carlos Betancourt
�y /' �� I studio and gallery)
re ,�� ��
, 2.. % ' 20. Third Rail (night club), FPL
�� 21. Merle's Closet(secondhand
FOCI E. clothes), Lazy Lizard, Pardon Studio,
i- AVC
�:„. Some Like It Hot ha'
`. (hair design),
e �` ',,--F-,-----\ ,,� Beehive Diner, D'Noel Studio, To
♦ (ii Station, Mideastern Dance Exchange
22. Florida Arte
n •_
ain +'\ ry(antiques
-10 ' objects), Key East restaurant,Area
Millimmer Stage Theater, Stuart's Stride Rite
's 24 23. Singer Sewing Center, Baskin-
i- Robbins Ice Cream, Coll
s I , age (cafe)
., ► 24. 605 Lincoln Road Building
mow `, \ 25.Alfredo's (hair), Second
Around on Lincoln Road (shop)e
PI Nrq:;YI VA1,iin y I. Glowear(beach wear), GNC
r-7.:Th /t VI
119
26. Lincoln Theatre, New Worldi��_ -1,1IIIJSymphony administration
�\ I
I — — 27. Miami Beach Community Church
_ — �! — 28. Frozen Yogurt and More
®� RI E: i 29. Las Americas restaurant
t 30. Barnett Bank Building. T
^ is\-
000 Sisters (clothing) Woolworth's Three
%l Iiii \
"`: i= 31. Financial Federal Building
—�/ 32. Information Booth
1 Blit /! I /':/i 7—x I
Herald Artist Woody
�, I ,.,, 31 Vondracek reconstructed
i ill this map from observation
f 30 and his own photographs.
I • / The numbers refer to p
significant buildings. The map
•, / \ shows the traffic-free portion of
the mall from Alton Road to
-- Washington Avenue. `
z>
/u• .�Ill ii . i 'II / /I IOL
WOODY VONDRACEK/ Miami Herald Staff 8
LIIIIIMIMINIMIMMIIINEMIMMIIIIIPP”"
m..
.
/� months and $60 million I 1 J -
1 worth of construction, t stretches almost a mile, 14,
renovation and restoration, the ' from the shore of Miami I f
wraps come off the Solomon R. { Beach to the bay. In 1914, 15 I
at ` °
d I
i Guggenheim Museum today,and ' 16,
the miracle on Fifth Avenue is - '``• its inception, Lincoln Road `
once again visible. Few museums J
g Mall was little more than two / - b1#
have launched expansion pro-
1 jects in the face of so many con- , :,"t_ lanes of packed sand— modest
MI I III)IAN AVI
trary opinions, and perhaps no BETH beginnings for its subsequent ,-.-,__ _ -�-
other emerges from a major pro- DUNLOP decades of gloryand decline. .® I
ject in a better light.
The main cause of the anxiety Over the years the mall has tee- --e ! .
• was the well-being of Frank ARCHITECTURE 'I--e r sal
tered from tawdry to glamorous and ,�, .�.=
Lloyd Wright's original 1959 I _ % ... II
structure, the youngest building back. Now, Lincoln Road faces yet 'I•I '■'— r
; in this city to achieve landmark another turning point. It's at both
THE VOICES �_
status. extremes at once, spectacular and �'
Wright's vision is intact—pre- Those who P o O
love Lincoln shabby,funky and frayed, an urban
PLEASE SEE MUSEUM, 2I Road—and puzzle with all the troubles of any n �` .-
Dstand to profit
1 �i�oso hy from it—air city street or park and all the allured / -� ��
ptheir views,41,51 as well.The mall is caughtI ic;l li) LE=I
in a vise, AVI 1
of criticism: GALLERIES between the dreams of those con- 7 -- ,g Amor,
Halls of art tent to patch it up and let it evolve :,�`` � ; �)
,,, (s
Knowpower abounde anasomall.Aguide,41 1 ; ,
would drastically change it—even i " ', j 1
!et cars back in. There's a lot to gain _
I
of the pen RESTAURANTSand a lot to lose. . cp ___ _ ' itt ‘---,
_
I went back Chinese,Tex- Walk the mall—six blocks of its I , -w
Mex,Cuban:It's t �° � �
to school two 10 have been open only to pedestri- 3
weeks ago. I all thereon the � r;
' know, I know mall.A guide,41 ans since 1962 —and its problems \
• c — some of and pleasures unfold before you. ,,.
;A i.•?, you are Look past the aluminum facades
4 already think- PI I IN!;YI vANIA \ r
` '., ing, "And SNAPSHOTS tacked slapdash over stucco, hiding h
Aril
z� nonetoo compare the remarkable, once-lavish buildings. I 'I^��
soon., Geez, look of today's Look past the center of the mall, a
CHRISTINE : everybody s a Lincoln Road ��-
jIL-4 ,umble umble of dullness and kitsch with
DOLEN Actually, with that o0 she plants and trees, fountains and shel-
70s. . .'SOs. . .
criticism is — = al
THEATER as far back as ters competing for space—visual I
what drew me 1914,51 P gto a weekend confusion,at best. - I
seminar sponsored by the Ameri- Families go to the mall to eat sup- � S
can Repertory Theatre (ART) 1=1•1111k .)!
and the Nieman Foundation, per outdoors. Teenagers roll along
both at Harvard University in the pavement on skateboards or Imil � rio,'
Cambridge, Mass. Robert Brus-
tern,a respected critic who also is skates, modes of transportation that O I
artistic director of the ART are technically illegal but rarely
(making him one of the few crit- enforced as such. Senior citizens ED I,10 /1 AVI I
ics who must take what he dishes
out), put together athree-day browse in the nation's most popular /—
program called Critics & Criti- Woolworth's. Young and old,rich 5, ,,1. –�
cism, during which critics, edi- ,
tors and theater artists were to and poor, all find their way to Lin- '� \ i,
�' j.
'examine the"impact of criticism Coln Road. ��a�.�.;1 I
on the direction of serious the- The street is home to a burgeon- /
ence.ater
and on its potential audi- ing colony of artists, dancers and
What the weekend really musicians. In renovated theaters _
offered, in less academic terms, there, the Miami City Ballet and thelow\
,
was a chance for working critics
to step back from the day-to-day New World Symphony practice and g�= W
to contemplate the myriad issues perform.A loose federation of 85
surrounding their jobs. -. �✓'
Face it, reviews can really tick PLEASESEE LINCOLN ROAD, 41 ._ NI = _............./
PLEASE SEE CRITIC, 81 'iii.'.1 III I(.r e)I l A`/1
WOODY VONDRAC
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--, _____ _. _ _ _ _._ __ •-'fit P
LINCOLN ROM
Now, the
future ,
begins ,.... . A,,.., .....,,ii,e,... ..,.. ,,,,,:. iikop, , , 4.- ''
( 8 � w"a yr
earnest � h 3 � � s
in• , i, •�- , s. *
LINCOLN ROAD, FROM 41
Howard Gross said at a focus
group meeting last week.
And so, on open gallery nights,
the curious join the collectors. A
recent outdoor party and art auc-
i tion at the South Florida Art
Center drew 300 people, linger- , •
ing, talking, dancing. On any UNTOUCHED
given weeknight, families dine at
one of the mall's many outdoor In 1914,at its inception,Lincoln Road was nothing but two vista
bar- fist
cafes, listening to live folk music ren strips of packed sand with trees down the middle and a clear
or taped swing while their chil-
dren frolic on ovals of grass.
A long-term vision for Lincoln
Road is needed, and the time for
ery deca'
it is now. Spec's, the Florida-
based music-video empire, is
putting an outlet into a reno-
vated building at Lincoln and
Washington. Mark Soyka and
Jeffreyenss C owners of the change in
smash-hit
News Cafe on Ocean
Drive, have bought the Van
Dyke Building and plan to open a
ground-floor cafe. A French mar-
ket is slated for Lincoln and
Pennsylvania. A branch of a < ar, ?£s • y , ry c 4s ^s` •
Soho antiques and collectibles KR
dealer is moving next to the Toy �A
Station. Art dealer Erwin Stern is "�
opening a design center in a
a
series of storefronts he owns.
The essential step now is to
come up with a plan to connect Ll I 141 10 LI"
li
,u `
the ill-defined blocks of Lincoln �`� Y. 4 "
Road itself, to allow the street to ,�,,,,,.�n •*M �;,�, -
prosper but protect it from ,,, r 4 ,..7...:.' ,...i•.:.
�; exploitation or overbuilding. r
Connections essential • - 1" `
.M .
It's important to connect Lin- �
coin Road to the rest of Miami • .,
Beach,to the Art Deco District toaa,,,; ,
the east, to the Convention Cen-
ter and the Jackie Gleason The-
CA ater to the north. An element of
that connection ought to be pub-
•I lic transportation, maybe trams.
°Pi Intersections could be aug-
' Col mented, treated as separate and "
Bui important traffic plazas.widened
--
RCN to allow for drop-off lanes and
Col transit waiting areas.
Walkers must be made more
T comfortable, too. Many build-
ings have no awnings, and the :
•
tiny ones in place offer little pro- y '
tection. Where there is shade,
mented, treated as fro
important traffic plazas.widened x
for drop-off lanes and 3K24
to allow .41,:•:•:..:.A4,....,.
:,..::::1:::;',!:!,„7„,,':;,..r:4:. , ,'
transit waiting areas. + : c= 4 � x •"-
Walkers must be made more
comfortable, too. Manybuild-
1 '
ings have no awnings', and the
k.,.,:::'''I*4"A":.'''': ''':''-.',.'.":•,7'4:
tiny ones in place offer little pro-
tection. Where there is shade
there are no seats; where there
are seats, there's noshade. sof
! and hap ya '
11,1
foliate, p why not bnng back the a;�
little help;
rows of royal palms that lined the .wi
n
sidewalks for four decades? X � N j
is All this would s would more
act more
Li people at night, the South r"
►ol special events. Now alar
) Florida Art
occas ter onal esgtreet
ler openingsand the Lin-
id, parties, the Colonyds,
►d i coln draw nighttime c owon and
irs. next year the Con sev
Visitors Bureau will stage stsevenn
outdoor cultural The
another potential boost. 1,,,t ,
city's proscription against b,icy-
clists and roller skatersefodme st
as aabsurdly, s
ought to be lifted. lace
Lincoln Road is the id
ealt and
forthe kind the county
architecture projects
is trying at the Miami Interna- z y
Airport; art could become ,.
the dl sting and unifying ks
the distinguishing �►
element of the public space.
On Thursday Carlos Al ." AI �i<;o g � . ;s
Art Center a
South Florida Sion to �. �' k;;;!
ceramic artist, got permission
tile a fountain outside his studios
_;
ino the high block with the help of ' 'e1�..
school art students.
local s ,444;, v. .s„ .,
Each block a prize ' ,, 1
There's no reason why there s. .,f t'i . ►
*L* _ , .
can't be more of this eac►block :f-o- .� ,
Road evolves,turning
artistically
individ-
into yeta prize, unified_. A """ �
ual architecturally u
bird's eye view, from the rooftop.
suggests that ► �
iSTA 0 . £ r
of a corner building more a e. ? a
■Attoi Lincoln Road is really -�� ,4
squares than a � iQ.S �° -'^
sequence of linked that ' ir ' "
Road T f
South I street or a mall, and once '!5,Ai idea gels, the rest can follow•come
coin Rc must
Into the equation healthy "..7-:'..:'...:51:,j,-......A
Whe and a r�RYS S „.
less ImF architecture A facade-res- , >. � �r. <•- ` "
respect for history. .
should I recall the f E
through toration program might ; <
make it -
a thorn► road's former architectural splen-
Road st dor and would certainlya signs, ` �. _
vibrant I more appealing.
ing place sounds and lighting of the mall
place.T. need to be attended be ri to to
importai There mightwesternmost and
open up the
easternmost ends of the mall to CHANGE OF PACE
BERHAF cars, but the rest of LincDrexel and A `° .
Road, between
As this of the between
■ ague Lenox, doesn't spec trafing L• Wass this photo and Drexel block bet �
Miami Di Symbolically speaking,Lincoln
of traffic in
League s
attests,there plentywas a
Road could be to Miami — and
"If sore what the Piazza 195i3,when cars were permitted on the s� ;�, �
asked me to the country— mall.Tony shops and stores and five
Venice but with
Lincoln R San Marco is to movie theaters attracted est desfrojf
pigeons. It could be an people Today,looking
that it wa: space where people would
urban ferson Avenue,the mall has been
traffic b gather, linger, even break into routs a
tow
now Line( closed to auto traffic and sprouts
'�'°
with
theat spontaneoushowplaceof public. It could and variety ed of utot traffic
and and
trees,p
showplace artl s
a lace where as if by happenstance.
with .It's urban landscape, P r3 `
rants.It's the traditional and the avant- 4 .V
as a pees: garde coexist.
The hist impulse in Amenca is to
The
d
tion is ess — another Cocowalk,
serve the copy but the chat-
serve the f another Bayside —
leng to keep Lincoln Road a
character, trul original and memorable
Deco Distr �`
for the initi place., now;
tourism."
We've got the real thing
let's not succumb to the ersatz.
V ROAD SUND HE MIAMI HERALD 5 I
4 ,,..
- •
.• r e i - ,*i:
--,;?':- -• ,.„.;3 ., ::t .,.f iv:4i 4'
yp
Y .. 74144414 - j
)[i
a b NANCY LIEBMAN
h
:;....,-.0•&..e*:-,-: .-.-46.4::,
4 „ ■Chairwoman,Miami Beach
Historic Preservation Board
"It just needs to be fixed.
There's nothing else like it
here in South Florida.Cocowalk
ivista from the beach to the bay.Since then,the mall has teetered cold.contrived, Road has
an a
from tawdry to glamorous and back again. thatais igae has is ai
ence is unique to Miami
Beach and its tropical Deco fla-
vor.
I'd repair it rather than recon-
struct it.The movement to des-
O� ® ignate Lincoln Road as a local
historic district is important
i
because it will keep the low-rise
collection of buildings with the
same setbacks and lots of front
space for interesting cafes and
•
I
irection exhibits."
MEL SCNLESSER
•
•Developer;owner Lincoln
5� r �M, ,. Center building;co-chair Lin-
coin Road Task Force
f.• s "s t t # ,x z � "The energy that's coming
I { jetiii onto the street is phenomenal.
Lincoln Road is moving along
{' z k considerably in the right direc-
a °� : tion.We have to think of the
street as a pedestrian-oriented
y street.The aluminum awnings
have to go.The facades have to
be fixed up,and a signage pro-
gram has to come into effect.
The next phase is the future.
4�
�� There's a tremendous need for
x THEN AND NOW the repair of the walkway itself.
%t What happened in the past was
The northwest corner of that there was such a diverse
.�Y Meridian Avenue and Lincoln attitude about opening up the
Road supported a quality shoe road—as if opening it would be
store in 1962.Today it's Pie- a cure-all—that people got
tro's,an upscale Italian restau- bogged down in the argument
rant that is typical of the emerg- and nothing else moved for-
ing Lincoln Road—home to a ward.
/ burgeoning colony of artists, The difference in what we're
dancers,musicians and,of doing now is that we're looking
course,restaurants. at Lincoln Road as the center-
•
piece of a downtown for the city '
of Miami Beach,at how it fits in •
with the Theater of the Perform- '
;.;;`n ing Arts,the Convention Center,
"�. City Hall,the residential area to
the south."
•
•
14,-00., s 1 '', i g
•
0.:7,:,..*„ -
Jjf k DENTS BUSS
■Executive director,Miami :'
Beach Development Corp.
"The discussion needs to
•
' • ' continue with an interdisciplin- :�
R ary team in order to develop a '»
-,.,..,-.. ...'.....7'.. physical program that connects
L buildings and places to people
i t
and that connects Lincoln Road ".
1.
� € ' ` to its surroundings.Where is the
iE * �
place hat res dents and visitors
t i
a _Ar . ;:,. meet?Where is the place that •
< •
can accommodate shopping,51TERS
eating,culture? `
x There also is the economic
R development aspect and the
s • • business development aspect.
i„...';'i,.....-'77`„'.77.7„i„.;t1ti f; How do you go from a situation`� s in a downtown area where you
�'.' �" have ao variety of building own-
` y ers and no single management
� and effectively compete with
,,.., , ' AAS • � shopping centers?..
\y h .t2 y
4.,:-.-......4:,:.„.:- -- erre :f
•
,. ..
1
.<rig� JEAN-FRANCOIS LEIEUNE
-�, ■Professor of architecture,
m `3 e
w K> ;; University of Miami School of
Architecture;co-founder
£ ?-','.1''',..'-:.t.----'-'.....‘.:-
y 4 ': i0 = 4, ' �.s ns '�"'' Miami Design Alliance
-• '. "When you look at the old
<�
s� .;-,T`a a fz£ �»�.._x photos, Lincoln Road was per
�� > � feet, but whether we could go
r • • k �� :5M;-- § x,� a back to that is unlikely.. . .The
trees need to be trimmed,and
7.„;',*>:,:44.,,,.:: .f r' y `a you might want to add a row of
� palms on the sidewalk to rede-
fine it.Housing there is essen-
' ?.... .1.1,C..„•',.:.-: :: tial,and I always think it would
be great to have cinemas.And
t.• ' s" • Lincoln Road needs to be
� • reopened to the beach—that
aY :., would help a lot—then one
-f, could tie in an extended board
walk."