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Ii mh RESTORED RITZ-CARLTON FITS SOBE'S GLAM ROW 01/25/2004
THE MIAMI HERALD
Copyright (c) 2004, The Miami Herald
DATE: Sunday, January 25, 2004 EDITION: Final
SECTION: Tropical Life PAGE: 3M LENGTH: 129 lines
ILLUSTRATION: color photo: The Ritz-Carlton Hotel lobby (a) , poolside at the
Ritz South Beach (a) ; photo: the original lobby of the DiLido Hotel (a) , the
DiLido lobby after a $20 million renovation (a)
SOURCE/CREDIT LINE: BY BETH DUNLOP, bdunlop@herald.com
RESTORED RITZ-CARLTON FITS SOBE'S GLAM ROW
The new South Beach Ritz-Carlton is an ode to a time and place that never
really was - a sophisticated and glamorous Miami Beach that could have existed
five decades ago.
The hotel is largely housed in the DiLido Hotel, which the late and
legendary Morris Lapidus designed in 1953 even before he created the
Fontainebleau and the Eden Roc. The DiLido was never the lavish, outlandish or
at the very least over-the-top setting that Lapidus was to become known for,
but rather a stripped-down modern building.
In more recent times, most of us have known the DiLido as the home of the
Lincoln Road Denny's. How times have changed. Now, with a $20 million
restoration and adaption, the Ritz-Carlton is the worthy cornerstone of what
one might call celebrity row, the strip of trendy and sophisticated hotels
stretching north along Collins from Lincoln Road - including the Sagamore,
National, Delano, Shore Club and Townhouse, with more still to come.
The designers of the Ritz-Carlton opted not for trendiness but for
timelessness, however. Its look and feel are what one might call "early
modern, " but this is a cosmopolitan European-inspired modernism, with a muted
tropical color scheme and modern furniture that largely came from France. The
hotel complex actually incorporates two postwar structures at the corner of
Lincoln Road and Collins Avenue - the DiLido and the One Lincoln Road
Building, which was designed by another of Miami's postwar architectural
legends, Igor Polevitsky.
Interestingly, Lapidus, who died in 2001 at age 98, didn't publicly own up
to the DiLido, which he actually created with architect Melvin Grossman,
though it's clearly his work. In his autobiography Too Much Is Not Enough, he
mentions it not by name but describes being brought in after the building had
been framed out as associate architect and interior designer, a role he
describes as "designing and doctoring a hotel. "
KEEPING FAITH
The renovation architects (John Nichols and Anne Jackaway from Nichols,
Brosch, Sandoval & Associates) and designers (Zeke Fernandez from Jeffrey
Howard Associates) were respectful of Lapidus' design, but not constrained by
it, which means that they ended up with something that Lapidus would have
liked, maybe even enough to mention the DiLido by name in his book.
The original black terrazzo floor is there, with a high sheen. A great
curved "bubble wall" still stands in the lobby, but what once was painted
•
stucco is now clad in cherry. The aluminum railings along staircases and at
the edge of the mezzanine are Lapidus' original design but redone a bit to fit
the rhythm of the changed space. The front desk moved from the Collins Avenue
end to the Lincoln, and though the original design was kept, the countertop is
now backlit onyx. The mezzanine still opens over the tall two-story lobby, but
lights are recessed into dramatic coved ceilings, which seem a Lapidus
trademark but actually are a current innovation. Some of Lapidus' more
dramatic flourishes - which found full spectacular expression in the
Fontainebleau just a year later - are alluded to but not fully executed.
Still to come are shops and a restaurant that fills the space of the
original Collins Avenue entrance. The original front desk will eventually be a
bar. To get 375 rooms, the architects had to add to the hotel; it, of course,
is within both the local and national Art Deco historic districts, though this
is an International Style building, a postwar modernist building with clean
lines and an absence of decoration except for a painted mural, now restored
(but hidden behind a glass wall) .
OLD VS. NEW
Nonetheless, the architects were expected to follow the Secretary of the
Interior's guidelines for additions to historic buildings, which stipulated
that one should be able to differentiate old and new, that the new portions
should be "of our time" (a notion often misinterpreted to produce building
additions that could be anywhere and any time and are not either referential
or deferential to history) .
This addition is different, which is to say, successful. The architects
retained the sleek, simple geometry of the International style, but
differentiated the new from the old by using dark glass and more metal. The
additions actually look like they might have been made in 1955, and they are
straightforward expressions of architecture, not of an architectural ego,
which means that it all works as a whole.
The work is quite nautical, enhanced by the rooftop enclosure that hides
the mechanicals and harkens to the idea of a ship's smokestack. Poolside is,
as is de rigueur on celebrity row, an exercise in over-the-top minimalism. The
pool has "infinity edges " and the ocean is beyond, giving it all a further
shiplike feeling. The indoor restaurant and bar look out on this with ocean
views, and down on the sand is a second restaurant (with wonderful
tile-cladding) .
Start at the Ritz-Carlton and head north, and for five blocks or so, you
are in the presence of the hotels that movie stars and moguls select as their
South Beach hideaways these days. If your trip is along Collins - where there
are just about the same number of unrenovated hotels and where the west side
of the street is awaiting attention - you might wonder what all the fuss is
about.
THE GRAND TOUR
The beach side imparts a slightly clearer picture, but it is the grand tour
that tells it all - one great set for glamour after another. There is the
moonscape-spare Sagamore with its superb art collection, and the
white-and-black Shore Club with its Moroccan-sybaritic outdoor terraces. There
is the architecture-as-performance-art Delano with its wide array of chairs
and huge flowing curtains. There's the crisp beachy red-and-white Townhouse,
tucked on a side street. And there is the South-of-France-meets-South-
Beach-High-Deco embrace of the Raleigh. And not least is the National, which
was actually restored to the level of splendor it had when it opened in 1940.
These are all elite hotels, to be sure, and expensive, but we should be
glad to know that in Miami Beach, the hotel lobbies are now considered
historic public places, and of course many have restaurants and bars that are
open to all eaters and drinkers, even if the poolside is private.
And the beach is there for us all with a view back onto the oceanfront
cityscape of hotels from the 1930s, '40s and '50s to be shared by all. We tend
to take beach access for granted, but we shouldn't. NAME'S SIMPLICITY
Fifty years ago when the DiLido was being built, there was another
structure on the site as well - the Town and Beach Club motel. By the time the
Ritz-Carlton got under way, all that was left of the motel were some block
walls, but the simplicity of the name resonates, for that's what we have here
- town and beach, and the history of how Miami Beach became just that. This
new Ritz-Carlton opens a new chapter in that history, but it doesn't close the
book, and for that it will probably outlast some of the nearby glitter that is
not actually gold.
CAPTION: TONY BERMUDEZ-SALVETTI/HERALD STAFF PAUSE TO REFLECT: Above,
puttin' on the Ritz on South Beach. Right, poolside is an exercise in
over-the-top minimalism, with 'infinity edges' and a view of the ocean, which
gives the complex a shiplike feeling.
BEFORE AND AFTER: Top, the original lobby of the DiLido Hotel; above, the
lobby after its $20 million renovation.
DONNA E. NATALE PLANAS/HERALD STAFF INNER BEAUTY: The Ritz-Carlton Hotel
lobby - with its original black terrazzo floor and curved 'bubble wall' - gets
some last-minute dusting before its opening in December.
KEYWORDS:
TAG: 0401290399
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mh RITZ-CARLTON OPENS WITH A SPLASH 01/19/2004
THE MIAMI HERALD
Copyright (c) 2004, The Miami Herald
DATE: Monday, January 19, 2004 EDITION: Final
SECTION: Business Monday PAGE: 5G LENGTH: 56 lines
ILLUSTRATION: photo: Franz Ferschke and Alice Kanavos with Paul and Dayssi
Olarte de Kanavos (a) , a charm featuring a cruise ship (a)
SOURCE/CREDIT LINE: The Herald staff
MEMO: SUNSHINE BRIEFS
RITZ-CARLTON OPENS WITH A SPLASH
The much-delayed Ritz-Carlton in Miami Beach finally cut the ribbon last
Wednesday with a synchronized-swimming display that recalled the days of
Esther Williams. The opening capped a five-year, $200-million renovation at
the former DiLido hotel, designed by Morris Lapidus in 1953.
The Ritz-Carlton, which opened to the public Dec. 31, features a sleek,
modern style that fits with its 1 Lincoln Road address. William Marriott Jr.,
chairman and CEO of Marriott International, parent company of Ritz-Carlton,
said the hotel reflects a trend in Ritz-Carlton of designing new hotels that
fit with their settings, rather than sticking with the traditional
Newport-style Ritz-Carlton design.
On hand were Marriott; Simon Cooper, president and COO of Ritz-Carlton
Hotel Co. ; Alfred Lowenstein, who owned the hotel before its conversion and is
principal owner of Lionstone Hotels and Resorts, and his partner, Paul
Kanavos, principal owner of Flag Luxury Properties.
- JANE WOOLDRIDGE
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mh NEW RITZ-CARLTON SEEKS TO HIRE HUNDREDS 10/30/2003
THE MIAMI HERALD
Copyright (c) 2003, The Miami Herald
DATE: Thursday, October 30, 2003 EDITION: Final
SECTION: Business PAGE: 3C LENGTH: 55 lines
SOURCE/CREDIT LINE: BY D.E. LeGER, dleger@herald.com
NEW RITZ-CARLTON SEEKS TO HIRE HUNDREDS
For the past decade, Enrique Martinez has bounced around local restaurants,
working as a short-order cook or waiter. Now with his third child on the way,
the Little Havana man wants to move up to a classier hospitality job.
He joined 1,500 people Wednesday at the Miami Beach Convention Center
applying for 625 openings at the new Ritz-Carlton South Beach. The job fair
continues through Friday.
The Ritz-Carlton South Beach, set to open Dec. 11, will feature a 13, 000
square-foot spa, 20,000 square feet of meeting and conference facilities and
375 rooms designed to look like the staterooms of a luxury yacht. To keep it
ship shape, it needs hundreds of workers to fill jobs from valets, maids, and
doormen to department heads and supervisors.
Greg Merrick, the hotel's human-resources director, said wages range from
$8.50 an hour to $85,000 a year. On average, Ritz-Carlton only hires 6 percent
of applicants.
Franz Ferschke, the general manager, said Ritz-Carlton, which also has
South Florida hotels in Coconut Grove, Key Biscayne and Palm Beach County, has
"extremely high" expectations for the new South Beach hotel.
Located at Collins Avenue and and Lincoln Road in a restored 1950s
oceanfront art moderne hotel, the Ritz-Carlton South Beach will charge $299 to
$3,500 per night.
Ferschke expects more than 6,000 applicants during the four-day job fair.
Crayons and paper were supplied to amuse kids accompanying their parents.
Prissila Vargas of Miami hopes the new hotel will be the right place for
her to break into the hotel industry.
"I have no experience, " said the 18-year-old who is looking for a
part-time job she can hold when she begins attending Johnson & Wales
University in December.
Applicants learn whether they won a job on the spot after completing
various phases of the interview process. It starts with a pre-interview. Those
who pass that hurdle go on to an in-depth interview followed by a drug test.
On Wednesday, Martinez disappeared into one of the interview rooms and there
was no word on whether he was one of the lucky ones who landed a job.
The most important thing is for an applicant to project a winning
personality throughout the day, Merrick said.
"We can teach skills, " he said. "The key is for people to remember we're
in the service business. We're looking for people who enjoy serving other
people. "
ABOUT THE JOB FAIR
* What: To fill 625 job openings at the Ritz-Carlton South Beach hotel
scheduled to open Dec. 11 on the corner of Lincoln Road and Collins Avenue.
* Where: Miami Beach Convention Center, 1901 Convention Center Dr., Miami
Beach.
* When: Today from 9 a.m. to 8 p.m. and Friday from 9 a.m. to 8 p.m.
* What To Bring: Valid identification.
•
KEYWORDS:
TAG: 0310310297
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mh A TOAST TO RITZ-CARLTON 07/25/2001
THE MIAMI HERALD
Copyright (c) 2001, The Miami Herald
DATE: Wednesday, July 25, 2001 EDITION: Final
SECTION: Living PAGE: 6E LENGTH: 103 lines
ILLUSTRATION: photo: GB Hotel partners Karim Alibhai, Douglas Weiser and
Sherwood Weiser, and Ritz-Carlton, Key Biscayne general manager, John
Cottrill (n) , Margarete Bronhard, Gaucho Room chef Frank Randazzo, Donna
Peyton and Gregory Campbell (n) , Linda Zilber, Ronald Schieb, Alice Fisher,
Wally McMurray, Judy Sorota, Erin Berg and Rosary Martinez at Calder (n) ,
Prince Harry, Prince Charles and Melissa Ganzi (n)
SOURCE/CREDIT LINE: BY STEPHANIE SAYFIE AAGAARD, Special to The Herald
MEMO: STEPH SEZ
A TOAST TO RITZ-CARLTON
Get ready, South Florida - the Ritz-Carlton has arrived.
More than 300 guests celebrated at the grand opening of the Ritz-Carlton,
Key Biscayne - the first of three Ritz-Carlton's planned for the area (hotels
in South Beach and Coconut Grove will open soon) .
Sherwood Weiser, Karim Alibhai and Douglas Weiser, who make up GB Hotel
Partners, owners of the Key Biscayne hotel, joined general manager John
Cottrill in presiding over the kickoff ceremony for this new hotel.
"In 1915, Key Biscayne was a coconut plantation and we wanted to pay
tribute to the island history with a coconut champagne pour (champagne was
poured over hundreds of coconut shells in a 12-foot pyramid) , " Cottrill said.
"This hotel will be a great corporate citizen not only to the Key Biscayne
but to the city of Miami. "
Reminiscing on the work put into this resort, "here we are 19 years later
opening what I consider to be Miami's first five-star resort on a great beach
on a great island, Key Biscayne, " Weiser said.
The oceanfront resort and spa is decorated with a West Indies Colonial
design and features 402 guest rooms and suites as well as a 20, 000 square-foot
spa. One Ritz-Carlton signature treatment is the Fountain of Youth Ocean
Balance, where guests can get relaxing therapy while floating in the Atlantic
Ocean.
Others at the event included Kamal Farah, Craig and B.J. Spencer, and Tina
and Dan Carlo, who enjoyed a divine feast of delectable delicacies. As guests
exited the event, they were given gifts of coconut macaroons created to
commemorate the resort.