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Resolution 2020-31489 RESOLUTION NO. 2020-31489 A RESOLUTION OF THE MAYOR AND CITY COMMISSION OF THE CITY OF MIAMI BEACH, FLORIDA, ACCEPTING THE RECOMMENDATION OF THE SUSTAINABILITY COMMITTEE AND CULTURAL ARTS COUNCIL TO SUPPORT THE REEFLINE MIAMI BEACH PROPOSAL AS A CONCEPT TO CREATE HABITATS FOR LOCAL AQUATIC MARINE LIFE, PROMOTE CULTURAL AND ECOLOGICAL TOURISM, CREATE A UNIQUE ART EXPERIENCE, AND PROVIDE RECREATIONAL ACTIVITIES FOR LOCALS AND GUESTS. WHEREAS, The ReefLine is an Underwater Sculpture Park and Snorkel Trail located at a swimmable distance from the shoreline of Miami Beach; projected to eventually stretch for 9 miles of artificial reefs designed by the best contemporary artists, architects, scientists, and designers; and WHEREAS, The ReefLine will highlight Miami Beach as a creative, forward- thinking city that sets a global standard as both art-minded and ecologically-conscious destination, while serving as a resilient reef providing critical habitat for endangered organisms, and forming a unique marine sanctuary; and WHEREAS, The Reefline is an investment in the community's civic infrastructure, public art, and environmental protection that will pay dividends over the coming decades by protecting the shoreline, raising active awareness about our ocean, and attracting tourists worldwide; and WHEREAS, funding for the initial phase of the project is being provided in part by the Knight Foundation, and is spearheaded by Blue Lab Preservation Society, a 501(c)3 non-profit foundation with a focus on building positive community impact that will help address ocean pollution, water quality, climate change, environmental and social issues; and WHEREAS, Blue Lab Preservation Society is collaborating with Bridge Initiative, an organization dedicated to making the planet a priority through art, culture, creativity, and science; and WHEREAS, additional partnerships have been formed with OMA / Rem Koolhaas for the Masterplan, the University of Miami's U-Link Coastal Resiliency Team, the City of Miami Beach, Miami-Dade County, Cummins-Cederberg Marine Engineering, and Coral Morphologic; and WHEREAS, at its October 27, 2020 meeting, the Sustainability Committee made a motion supporting The Reefline Miami Beach proposal as a concept to create habitats for our local aquatic marine life, promote diverse tourism, and provide recreational activities for locals and guests; and WHEREAS, on November 5, 2020, the Cultural Arts Council made a motion supporting The Reefline Miami Beach proposal as a concept to promote cultural and ecological tourism, create a unique art experience and elevate Miami Beach's status as an international arts and culture destination; and WHEREAS, The Reefline Miami Beach is being presented to the Art in Public Places Committee on November 17, 2020, and the recommendation of the Art in Public Places Committee will be issued via an LTC following the meeting. NOW, THEREFORE, BE IT DULY RESOLVED BY THE MAYOR AND CITY COMMISSION OF THE CITY OF MIAMI BEACH, FLORIDA, that the Mayor and City Commission hereby accept the recommendation of the Sustainability Committee and the Cultural Arts Council to support The ReefLine Miami Beach proposal as a concept to create habitats for local aquatic marine life, promote cultural and ecological tourism, create a unique art experience, and provide recreational activities for locals and guests. PASSED and ADOPTED this 11 day of `_in✓{° `r°r. , 2020. 401.e.kq'c� ''',:A 12-211-----___ % WORE' OLATEDI ; Dan Gelber, Mayor `h3 ATTE T, H J��: �S [ L I iLvz-7. Rafa I E. ranado Cit Clerk Y APPROVED AS TO FORM & LANGUAGE & FOR EXECUTION Its' \' jBZOZo ,1%) City Attorney 0 t i Resolutions -C7 Q MIAMI BEACH COMMISSION MEMORANDUM TO: Honorable Mayor and Members of the City Commission FROM: Jimmy L. Morales, City Manager DATE: November 18, 2020 SUBJECT:A RESOLUTION OF THE MAYOR AND CITY COMMISSION OF THE CITY OF MIAMI BEACH, FLORIDA, ACCEPTING THE RECOMMENDATION OF THE SUSTAINABILITY COMMITTEE AND CULTURAL ARTS COUNCIL TO SUPPORT THE REEFLINE MIAMI BEACH PROPOSAL AS A CONCEPT TO CREATE HABITATS FOR LOCAL AQUATIC MARINE LIFE, PROMOTE CULTURAL AND ECOLOGICAL TOURISM, CREATE A UNIQUE ART EXPERIENCE, AND PROVIDE RECREATIONAL ACTIVITIES FOR LOCALS AND GUESTS. RECOMMENDATION Adopt this resolution. BACKGROUND/HISTORY The ReefLine is an Underwater Sculpture Park and Snorkel Trail at a swimmable distance from the shoreline of Miami Beach; eventually composed of 9 miles of artificial reefs designed by the best contemporary artists, architects, scientists, and designers. The ReefLine will highlight Miami Beach as creative, forward thinking city that sets a global standard as both art-minded and ecologically-conscious destination, while serving as a resilient reef providing critical habitat for endangered organisms, forming a unique marine sanctuary. The Reefline is an investment in the community's civic infrastructure, public art, and environmental protection that will pay dividends over the coming decades by protecting the shoreline, raising active awareness about our ocean, and attracting tourists worldwide. Given the most recent summer fish kill in North Biscayne Bay, Miami's marine ecosystem needs as much human support and attention as possible. The ReefLine will provide critical new habitat for reef fish in an area that was previously a sand desert largely devoid of life, while demonstrating a proactive, progressive approach towards conservation that highlights the diversity that Miami harbors under the waterline. Funding for the initial phase of the project is being provided in part by the Knight Foundation and is spearheaded by Blue Lab Preservation Society, a 501 (c) 3 non-profit foundation with a focus on building positive community impact that will help address ocean pollution, water quality, climate change, environmental and social issues. After winning the Knight Arts Challenge in 2019, BlueLab Preservation Society has managed to Page 323 of 1430 match fundraising goals with a donation from the Blvatnik Foundation and is currently in the permitting process for the first phase of deployment off South Beach in November 2021. A coastal engineering firm, Cummins Cederberg, has been contracted and has conducted underwater surveys of the area to be permitted. Pre-permit meetings have been conducted with Miami-Dade County DERM, FDEP, and Army Corps of Engineers to ensure schematic plans will be well received by these agencies. Once the area is fully permitted, The Reefline will have the ability to deploy more sculptures and modules. As well, BlueLab is collaborating with Bridge Initiative, an organization dedicated to making the planet a priority through art, culture, creativity, and science. Additional partnerships have been formed with OMA I Rem Koolhaas for the Masterplan, the University of Miami's U-Link Coastal Resiliency Team, The City of Miami Beach, Miami-Dade County, Cummins-Cederberg Marine Engineering, and Coral Morphologic. ANALYSIS On October 27, 2020, the Sustainability Committee made a motion supporting The Reefline Miami Beach proposal as a concept to create habitats for our local aquatic marine life, promote diverse tourism, and provide recreational activities for locals and guests. On November 5, 2020, the Cultural Arts Council made a motion supporting The Reefline Miami Beach proposal as a concept to promote cultural and ecological tourism, create a unique art experience and elevate Miami Beach's status as an international arts and culture destination. The Reefline Miami Beach is being presented to the Art in Public Places Committee on November 17, 2020. The recommendation of the Art in Public Places Committee will be issued via an LTC following the meeting. At this time, it is envisioned the City of Miami Beach would offer administrative support to The Reefline Miami Beach through its Department of Environmental and Sustainability and Department of Tourism and Culture. CONCLUSION The administration recommends that the Mayor and Commission approve the Sustainability Committee and Cultural Arts Council recommendations to support The Reefline Miami Beach. Applicable Area Citywide Is this a"Residents Right Does this item utilize G.O. to Know" item. pursuant to Bond Funds? City Code Section 2-14? No No Strategic Connection Prosperity - Market and promote Miami Beach as a world class arts, culture, and quality entertainment destination. Legislative Tracking Tourism and Culture Page 324 of 1430 ATTACHMENTS: Description o Exhibit A- Reefline Miami Beach Phase 1 Page 325 of 1430 ... .. ....... . . .. _ —a. ...." V" ..... Ns, 0 4li Z J >,- ....1 CO Y". 0 THE REEFLINE • , • ........... ilow .... .A. -.- ... •,:lr _ •,,,,,kwor .. — misc......, - smorp.,,•• N.,...... ......0„. (.140100. .........,, ,. ;..*efh. •sishlt ..... ,„ -- ,,..„.11111,,I,u.„„AiL _ ....... 4 10.,• .., ....41.1ii,I',...,.'rim!. _... ..„, ...- ...-. --..„ 40. Nii101!°' • * , . I '''''1.'' 00 ' I. • 10 r•.• ... 0. . , C'''''' . ''';1:;1[. ', :''''I ."' ... ..., ,,, ..... „,,y,N,I II 0114,I.11 I ii” 0 9f ,. r 0 4, m ."-' 17° Vn THE REEFLINE ' ' THEREEFLINE 1 CCC .0 "This series of artist-designedandscientist- yew,,., WM• '" ..,..„„,„„.. . N.,..... informed artificial reefs will demonstrate to the world how tourism, artistic expression, ..,„,, and the creation of critical habitat can be ,, - • _,..A0,, aligned. Reef Line is a singular investment in civic infrastructure, public art and environmental protection that will pay ,, M dividends over the coming decades and .���'? y-:• t . . ,,, ' i' * , 4 attract ecologically-minded tourists and 04 - I yn�hr;mM* ,,,. art lovers.,, 1. ,y • ):. i r • t * .11 '` ;4, . „4,?,A �y Ximena Caminos civ M S” �k� , �,W, tl,u,5?Iii "M"i''r ly of hll'. 1 r cnn " " ''0#,5?Iii �Vyp� .any„r'"• w" a. „ ;,""�'w, )'",,., -;*.;',.."1/4*` �. h . lk' ,iii 'N. ar 5_ 11. w� ; . ., a XIMENA CAMINOS A cultural entrepreneur, Ximena Caminos is a creative powerhouse. Internationally renown as a non-traditional curator,she's a cultural agitator who pioneered new ways to approach and discuss contemporary art ,. i4hi "0' 'd;, and cultural manifestations at large. i' �I� i� � 1,I',� ,,ni, Part of the Harvard GDS Think Tank for"The Future of American Cities", I u Ximena is one of the most unconventional intellectuals of her generation, her spirit and life experiences bloomed into a multifaceted career, making art, culture, design, and place-making the foundation of all her ithit I endeavors. Due to her keen post-disciplinary approach bridging culture,community- lllI'.P: building, and urban development, she has been appointed Artistic " * ,' Visionary Planner for The Underline, the largest public art project in the US. pi. or . Ximena is known for an idiosyncratic approach to the presentation, discussion, and exhibition of contemporary art forms, building new ` Vii!'+ models andp latforms to catalyze experimentation across the Arts, �. Sciences, Philosophy,Tech, Politics, and Urbanism. •. �'� �u. ,. She has collaborated with the most relevant disruptors of our time— *� from artists to architects, poets to social leaders—including Jenny y A"'" Holzer, architect Rem Koolhaas and Norman Foster. Ximena has been her latest dw global scene for more than two decades. Watch , shaping the °'` m intervention at Art Basel with Leandro Erlich here. ill 'M2C II` I k ',e i. . �;. Former Artistic Director and Chair of Faena Art, Partner and CCC of the .+ '+M :: ��: � ,� N i � multi- awarded Faena Districts, under her leadership, Faena has placed l,4>jao,, ;,..,ir ' u� , ,,.„, u� i " art and culture at the forefront of all its endeavors. In 2017 Caminos ;1,-.,, 4110:91011104 1 , is founded the cross-disciplinary cultural platform HoneyLab. ' Member of the New Museum Leadership Council,Founding Member of °ini �i . �' the Solomon R. Guggenheim Museum's Latin American Circle Partner 7A AM N0r.)1 Mtn) and Advisor to Art Basel Cities. She is an XPrize Ambassador and the �ap6u upVu��l recipient of many Awards, amongst them the Knight Foundation Arts t i ' l't Champion Award and Knight Foundation Arts Challenge Award She has been featured many times in Vogue, The New York Times, Financial Times,Wallpaper Magazine,WSJ Magazine, Miami Herald,and Forbes,to name a few. Ximena has published a series of books, working with Studio Job and , „ Rizzoli—including the Faena Aleph trilogy—as well as several art catalogs , ,KESE„,,.," .• , J Y ,44' r , h •` yam / T rd I7O / THE REEFLINE �•: we `'1--_ A'. WHO 4 r• . '� as ,lp, ' ,:in • *:•' BlueLab Preservation Society in collaboration with Knight Foundation f tt.r $41 CURATOR •'+ • . ; Ximena Caminos - Chair of BlueLab and HoneyLab 01 , t • ,,; If0 r '��� nr.:; EXPERTS Colin Ford - Coral Morphologic co-founder Marine biologist, coral r aquaculturist, artist, and filmmaker ' ' 6 ' T• ,r Xprize - Coral Restoration Team s Diego Lirman - PHD MArine Biology, "University of Miami's ULINK • r Coastal Resilience Team ;'� f* Cummings I Cederberg Coastal and Marine Engeneering • s +� • f ' OMA •r • • p� Michael Joaquim - Terreform ONE .1 g 0,4-. Harvard GSC • • i"• : Elizabeth Wheaton - Head of environment and sustainability for City Irea of Miami Beach 1114. + '=::* Katherine Fleming-Vice Chair of BlueLab and Director of Bridge .•h 4.7,i; } ,d • ; WHERE ,1A ; ljt I Approximately 9 miles long at completion, the sculptures will be placed in 15-20 feet of water parallel to South Miami Beach. re44 . , • w • t O•44. • p• 116.1 {yj .,. ..RFS Eq, 0 .,i P O 4, z y r m g 1 O O ttl• THE REEFLINE WHY Miami Beach is at the global forefront for arts, culture, coral science, and the need to adapt to climate change.The deployment of the Jose Cuervo Reef in May 2000, and a subsequent resolution passed by the City of Miami Beach (Resolution No. 2A003-25203) in April 2003, •... serves as a proof of concept,and demonstrates municipal support for . • _. the development of artificial reef structures just offshore South Beach. .. The current city administration has put environmental issues at the ``fix' top of the agenda, providing the momentum needed to accomplish this project in a timely fashion. ,.x HOW The ReefLine will be developed through the support of the Knight Foundation and matched by private philanthropists and art collectors, Il state artificial reef grant funding,and partnerships with local hotels and • ou , tourism boards. 4y l� • .: . �6ii�',k w'.a^ le�nl� w 4 •, , If�, ,,, , . ;,, PN The goal is to deploy several new sculptures each year, such that },,, ra. eventually a long snorkel trail will be formed interconnecting all of them to create the world's largest assemblage of sculptures designed by " .. multiple artists underwater. •,*"" PIIiP,pi i!�'I�jalp p The ReefLine will also invite collaboration with scientists from the s, *, a University of Miami, Harvard, NOAA, and other institutions to serve as " " 4.* . - a real-world research site for artificial reef development and design. ' 0r.».. 4r WHEN / PHASE 1 ,- i „- `* , ' a December 2021, 'Grand Opening' event during Miami Art Week/Art . `, Basel Miami Beach. P~ eµgSFRD y g 9i �y vP T� +/ O 4,i0 M w.".-..sof' m Y3,,O 46 ,,. THE REEFLINE It ♦ a 4411 ,, r, OVERVIEW Using materials that are approved by the State of Florida,selected r artists will create iconic sculptures out of oolitic limestone and/ % w''• or marine-grade cement that will create ecologically important •A y-. artificial reef habitat and serve as a world-class snorkeling/diving f „� y li 14'• attraction for Miami Beach. 1.• ,. '4 The ReefLine will serve as a unique and site-specific installation that connects the artistic culture of Miami Beach directly to its -seg r surrounding marine environment. ' The ReefLine is an investment that will quickly pay for itself by „A iliti t° highlighting the fact that Miami is the only US city bordered by "' two National Parks, and has a unique marine environment just a ,, • stone's throw off it's world-renowned beach. Such an amenity will help attract a new demographic of environmentally-conscious travellers, while also demonstrating that Miami Beach is the most it 1 "h 1 environmentally-aware art city in the world.The ReefLine will serve . A- as a living monument to the current era of sea level rise and the 00›./., ; 1 4 % need for rapid adaptation in a warming climate. The ReefLine will also offer Miami's citizens the free opportunity to explore their local coral reef ecosystem without needing a boat / to access it. BlueLab will work with PR experts to maximize media Ni .-, exposure of the project, which will result in global awareness for the project. .I' �' ., w .W�° ,,, # .. .i. K Q,yF SER. 9f P v O . J , THE REEFLINE r� IM 1 C" +P 'myA�y` ,� .,a• "P,~ ' " .4. Off" 'y , � ;,AricA •Vu ,'C' e • "` *: "' ,• REEFLINE INSTALLATIONS .. *:\ " �" "" - ., j-* BlueLab Preservation Society will curate a select group of artists .1.....ire 'rk . a for the first phase of underwater installations. We will limit the I ' , ;� ^^ e;4. materials they can work with to limestone or cement, the most ' "'' 1' -% .a x :,i Ab. r= natural and common building material used in South Florida • �ti.. �r�. construction, and the material preferred by State and Federal •i � ,,* „ , agencies for artificial reef deployment. i < '= ^ : ^;yd Oolitic limestone and cement is well-proven for use as an %► ' artificial reef structure since the porosity and chemical makeup • of the structure is ideal for coral growth and reef habitat. These ' materials also allow a wide variety of artistic interpretation that j :. will catalyze the marine community that will begin to colonize it. ..•'4 ,, Additionally, by working with local coral restoration groups, it will be possible to transplant nursery-grown corals directly to the t,',..•' p r 'S;11')+"•.., ` ° e `.'y�, / ReefLine to further accelerate reef development and enhance %, :- i ; biodiversity. A ✓ . ;' �,k ri' In order to protect the artists' sculptures, a barrier of concrete `l', It,. . modules (or limestone boulders) will be deployed around them••••140c,4%.f!':• �► • M - to lessen the impact of wave energy during storms and swells. .1 f J Most importantly, these modules will create the actual 'Line' '' that connects all the installations and serves as a snorkel trail, '�- '''' 7. while also greatly expanding the size and effectiveness of the r ` artificial reef site.These modules will provide nooks and crannies 1„ ,.,•,y•,' .; , .3that will quickly attract colorful tropical fish and coral larvae. This , a " w, ,, additional habitat will make the snorkelling experience much '' ~: PHASE 1 CONCRETE CORAL BY LEANDRO ERLICH w .,ry . o _ w r MIS +wt. ...,?..."444,....,,,,,fr".— . °u.!-n• r T I r ,..: !- J • ; Air' .` •` ;'' 1.! � C o- m �`F ,fir {{,...\_.,,,,..4 1 16 rml•-:. .... , •''�+IYE` �. 1` 1`" iv_ }r J 6 'F,y, ,rn � '^t �i Y + �I I�N -,„,,,,,,,,I, ,, .SCM, r . - +I .:-+.+"IwR''�°`. tl' M' .II'kl 'Ip '''!;�, raft.', .pRl4 rl'«: -. Y. n ,„ 'e... •;„1.••�, -,7yam.c'� .,, aW'+{nII�,•..4ot l ^.' ,.••,„;).4••,.. ..,,3` ti r .+Fn+.I , n «:.r, i 4 f.<:.,+« dro.t:•,k4c'ntikyarr'4<,Opy,• 'r MTry M1.:^�,"'I Yt qTwp 4] .,� "!...,"1.'1,,,,ir,Y " i:.>. i "' r I% i .;: awad .• „"•�w {gy..ti4 .G : ti ' *, a �at : . r i �r .:;.._. .. w . A - :r 1pa'7� �� '4. p .w.y I .`e . �_ � ;i I„u Ey -'r +' p.t `" ijg. • ,y{• koa'',:*-4-'4..-•--,h' S ' .1 ,,,sk '' i " ,. LT9'.* " , `" n anC' w i. . -,,B � ''' -. � ��� n:+ :; i4 ,0o�',� � �,,,pt ,0,snI �yy`n ..‘.'7,,,,,,i9, uIlh,pll�an*.P*� . L b. , jq� 1 t f t ' " am � } r .:c .., , � „ ' "+ !• }4* t1 "41,1,r0-. M # . " • ;ly\ on k * CONCRETE CORAL The natural evolution and permanent underwater incarnation of Order of This underwater incarnation 1 othis installation, Concrete Coral, will offer an Importance, a site specific sand traffic jam shown in Miami Beach during entirely new reading of the impermanence displayed in Order of Importance. Art Basel 2019(pictured above). As opposed to the sand cars shown on the beach, these submarine sculptures do not degrade over time. Instead, they will be colonized by life Iln the original exhibition,the"traffic”emerges from and then disappears into and merge with the natural environment. Our fear of being "underwater" the continuous medium of sand. This work was developed as a rumination (as a consequence of climate change) will also be transmuted into the on the finitude of a certain way of life, in addition to a reflection on time and generation of new homes for underwater lifeforms and the development its power to transform. The installation will evolve under the sea as part of of a new marine ecosystem. The structure of these human-made vehicles this dynamic project aimed at restoring Miami's coral reef and its stunning (a symbol of the climate-changing emissions that endanger our planet) will biodiversity. The cars will evolve over time as they are colonized by marine become new vehicles of environmental change. Concrete Coral's stone life, and become critical habitat for coral reef organisms. sculptures will be silent,engineless,creating new life in our shared waters. In . these challenging times,what could be more important? 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N....N._ ,....i..._., .., .......- ..... ..., ... • •,.,:..,......,.. . .,". ..... . , --,... , ,., ... .. . , .... , ., .;.„ ... ',,,,liiiiii..„-- ', , • , ' . 1,,,, i „„.;,-... ., • „,,. ,....•.,1.- ., . Ailimmaipr... ... • • w .. A f; pRE 5ERL <4 2 y y... IrvrvI�yy.,I , y. 5 '• ��'II�'441'i T r317O d ti h� - ;><,vi' WI, THE REEFLINE a"' - — L. fi.lIIIA ,' EXPANDING EXISTING ARTIFICIAL REEFS .1'. ''' ,'f A series of experimental artificial reefs were deployed by ,,jl; Nova Southeastern University 20 years ago just north of .k 4,` w South Pointe Park to 1st street on Miami Beach marked -, i4 . *, .kr " 1,r with anchor icons. Without the markers, the artificial reefs can be seen as dark black dots against the lighter sand. ' .s t'X ry'ek The goal is for the first phase of the Reefline to be deployed .—...,44 .Nfp . ..I m • h. somewhere within this area. (Marjory StonemanDouglas }• d , . Park, seen here, is our first choice) on Miami Beach such { _ig M that it will be as accessible to the public as possible, just inside the swim buoys where beach sand has previously '14•1 ilk smothered the natural reef tract. ' 21P .R, ,,x't, A wider view of Miami Beach clearly demonstrates how ,I;;„; sand from previous beach renourishment projects on South ..;,„, t�; Beach has washed back offshore, smothering the natural e,;.. , 1 .*ii. el hard bottom reef as it moves northward. White areas are W sand, dark areas are reef and colonized hardbottom. Note Al e M' ”'`•°' "''"' r L - the plume of milky dredge silt from Government Cut in " - t bottom right. M,« I ''11 Satellite view of existing artificial reefs off Miami Beach(Nova Southeastern University experimental reefs with Phase 1 and 2 of The ReefLine shown to the north offshore Marjory Stoneman Douglas(2-3rd Street)and Lummus Parks(5-7th Street). IllitkpY AP 0140, 11111r141177-: I. iPO 9 y e.' 7+ a� ' .),'Jpyo 4 c,,' THE REEFLINE /yl • 4, 'f.-.‘ ,+lllp 1 �i . ,. Museum *':7 # ;f {' Park at r- 4 23rd EXISTING ARTIFICIAL REEFS z . . .r.`- This satellite image perfectly encapsulates how the last Street N t : untouched marine habitat 1/4 mile offshore Museum r4.. s .4. Park on Miami Beach serves to attract recreational �� • usage by boaters, fishermen, and divers. + 1 t/ ✓ ;4iI 04,.' ' iZooming out further reveals how much of Miami • ..elf • -w., rd� I,0 It'«.." Beach's nearshore hardbottom coral habitat has been • _ w ,} •e, 0 smothered via the transport of sand that results from beach renourishment. The deployment of new artificial ° 4 . +,:'` , �' reef substrate and sculptures over this now-sandy bottom will serve to restore this once vibrant habitat. J ti4tif, P k,, ji. i 4\ Yg '- ,., -- 32nd .1 'i . street `` -- park : ,, ,,,, , { {, 0 •" X7,1 "M I� }� uil qrr i dnamac i' i " S ':e� a ''^iry x.,, "' ,. • R 'N w l r t i �a 11 � l" R,�d: � 1 Citi: ��rn� li 111 Il u� �b i��xr �L. ��� i r iirl�,dya a 1 m ��'iia• 7�.@ Y r^� �' Y �dt L p,X41 4SWN': P R E S E R` e y.` Wv Z err m Y4, ° .. • ,.• THE REEFLINE CONCLUSION ,c �� f � � Investment in an artificial reef that is equal parts sculpture I . I I ..4I - .� f gallery, marine habitat, and snorkel/dive attraction is a cost- _ • •-- - — - _ •.•ti- effective way atgarnering significant media coverage for Miami Beach's green(and blue)ethos to enhance coastal resilience -im - and provide critical marine habitat for reef organisms. • - - This project is a 21st century answer to Christo and Jean Claude's 'Surrounded Islands', which saw the artist duo surrounded the dredge spoil islands of North Biscayne Bay with bright pink plastic, that served to draw local and international interest in the marine habitats in the middle of a subtropical metropolis. Whereas Christo and Jean Claude surrounded the natural with the artificial to raise awareness for Miami's native ecosystem, the Reefline will blanket the artificial with the natural, in the hopes of creating a more positive outlook for our City's future, through the development of artist-designed underwater worlds that will enhance coastal resilience and provide critical marine habitat for reef organisms. Christo and Jeanne-Claude's 'Surrounded Islands'was a seminal work in establishing Miami's artistic and natural identity in the late 20th century.Similarly the ReefLine will redefine the city's identity for the 21st Century. ABOUT BLUE LAB The BlueLab Preservation Society is a 501(c)3 non-profit foundation are in need of additional funding to scale-up projects that have been with a focus on building positive community impact that will proven successfully at the local level. BlueLab works to supplement help address ocean pollution. water quality, climate change. the budgets of programs that are otherwise dependent upon ever- environmental and social issues. shrinking governmental funding sources. Led by its Chair. Ximena Caminos, The BlueLab Preservation Society To activate and drive the spirit of venture capital fundraising towards uses art. science. culture and design as galvanizing channels for projects whose return on investment is a healthier environment for its sustainability program, developing responsive strategies and future generations. solutions with a clear core mission. To promote the development and oversee the deployment of artist- designed artificial reefs. 100% environmentally friendly. meant to attract ecotourists in an effort to lessen the human impact on natural MISSION reefs. while also mitigating the footprint on sea level rise and beach erosion. To educate and inspire global environmental action by directing funds raised through philanthropy towards innovative projects (domestic To support local, state. and national governments in the preservation and worldwide), that seek to restore, reinforce, and protect coastal of environmentally-sensitive areas. restoration of coral reef and marine ecosystems. rivers, and lakes. mangrove habitats, management of fisheries. sustainability of ecotourism, and the cleanup of rivers, lakes and oceanic sources of To support scientific research and non-profit initiatives that aim to pollution. protect the environment,promote responsible tourism development, implement sustainability programs, mitigate climate change, To create social opportunities that foster conversation between promote adaptation and resilience strategies. and the development scientists, the tourism industry, engineers,artists, designers, NGOs, of grass-roots environmental leadership initiatives. philanthropists, and the local and global community that results in the intkrciisciplinary cross-pollination of ideas and the, implementation of To bridge the gap•P3etween philanthropists and the most promising enVItonmentally-sound projects and practices around the world. environmental initiatives around the world. Particularly those that To promote Miami as a global hub of,,,„,,aqtral science, artificial reef r � J'M THE REEFLINE ARE YOU ONE OF US? We are a group of creators. thinkers, and leaders that have come together to collaborate and support projects that bring awareness, catalyze and create solutions to the world's largest problems. welcome@bluelab.org • OMA