2000-23982 RESO
RESOLUTION NO. 2000-23982
A RESOLUTION OF THE MAYOR AND CITY COMMISSION OF THE CITY 0 F
MIAMI BEACH, FLORIDA, APPROVING AND AUTHORIZING THE CITY MANAGER,
OR HIS DESIGNEE, ON BEHALF OF THE CITY'S PLANNING DEPARTMENT AND
THE ART IN PUBLIC PLACES COMMITTEE, TO SUBMIT APPLICATIONS TO "SAVE
OUTDOOR SCULPTURES" (SOS), FOR Born AN ASSESSMENT AWARD AND A
CONSERVATION TREATMENT AWARD, FOR THE RESTORATION AND
CONSERVATION OF THE FLAGLER MONUMENT; ACCEPTING THE GRANT(S), IF
AWARDED; AND APPROPRIATING THE AWARDED FUNDS IN COMPLIANCE WITH
THE TERMS OF THE GRANT(S).
WHEREAS, the Flagler Memorial Sculpture on Monument Island, located in the middle
of Biscayne Bay, was commissioned by Carl Fisher in 1919 and erected in 1920 to honor Henry
Morrison Flagler; and
WHEREAS, the monument, designed by John B. Orr, consists of four figure sculptures
at the base which represent Prosperity, Pioneer, Education, and Industry, with a unique obelisk
measuring 110 feet in height; and
WHEREAS, the sculpture shows evidence of exposed armature, structural instability,
broken parts, cracks, guano, black crusts, staining, and spalling; and the base is chalky, with
layers of graffiti paint, and etched gouges; and
WHEREAS, Save Outdoor Sculpture (SOS), jointly sponsored by Heritage Preservation
and the Smithsonian's National Museum of American Art, has a Conservation Treatment Awards
Program which provides cash awards for the assessment and conservation treatment of public
outdoor sculpture across the nation; and
WHEREAS, the Art in Public Places Committee and the City's Planning Department
jointly recommend the submission of an application to SOS for an Assessment Award of up to
$850, and a Conservation Treatment Award for up to $40,000 to contribute to the Flagler
Memorial Sculpture restoration.
NOW, THEREFORE, BE IT DULY RESOLVED BY THE MAYOR AND CITY
COMMISSION OF THE CITY OF MIAMI BEACH, FLORIDA, that the Mayor and
Commission approve and authorize the City Manager, or his designee, on behalf of the City's
Planning Department and the Art in Public Places Committee, to submit applications to "Save
Outdoor Sculptures" (SOS), for both an assessment award and a conservation treatment award,
for the restoration and conservation of the Flagler Monument; accept the grant(s), if awarded; and
appropriate the awarded funds in compliance with the terms of the grant(s).
PASSED and ADOPTED this 12th day of July
Af'PROVED J>.S 10
FORM & LANGUAGE
& FOR EXECUTION
.2000.
~T~ P aLcA4
CITY CLERK
11~
,
MAYOR
7- 7~ tffJ
Oem.
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Long View For Smithsonian American Art Museum -
Inventories of American Painting and Sculpture
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EXHIBIT "A"
Your Search: General Keyword = (Flagler) and 6003.ZS. and ias.lf.
Displaying Record: 15 of 26
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!orr. John Boo sculotor.
IPeterson. H. sculptor.
,Pellegatto. Ettore/Sellick Stone Studio. fabricator.
!Flagler Monument, (sculpture), ---''
lA'agler Island Monument, (sculpture).
11920.
!Sculpture: painted concrete; Base: concrete.
. r- ~-------- ,~....._._--
ISculpture: approx. 100 ft. x 21 ft. 6 in. x 21 ft. 6 in.; Base: approx. 3 x 30 x 30 ft.
I(Base of western figure:) Prosperity/Flagler (Base of southern figure:) ,
,PioneerlFlagler (Base of eastern figure:) EducationlFlagler (Base of northern
jfigure:) IndustrylFlagler
iThe work is a tall obelisk with four large figures standing around the bottom of
Ithe base, one on each side. The four figures represent Prosperity, Pioneering,
IEducation, and Industrialism. The western figure. Prosperity, is a woman holding
,fruit in her proper right outstretched arm and cornucopia in her proper left. The
[southern figure, Pioneering, is a man in pioneer dress shading his eyes with his
iproper left hand. The eastern figure, Education, is a woman in an empire period
ldress holding an open book in her proper left arm with her proper right arm
lextended. The northern figure, Industrialism. is a man in a toga with a scroll in
,his proper left hand and a model train in his proper right arm. The sculpture is all
Ithat exists on a small island.
..-----.-r:-::-.-. "
iHomage --Flagler. Henry M.
Artist
,Title
Other Titles
,Dates
Medium
Dimensions
Inscription
,Description
,Subject
Occupation --Monetary--Financier
Occupation --Industry--Oil
Occupation -- Transoortation--Railroad
Allegory --Oualitv--Wealth
Allegory --Other--Progress
Alle~ory --Arts & Sciences--Education
Allegorv -Arts & Sciences--Industry
:Object Type
Outdoor
Obelisk
,
.......--.---..--, ",,,..............,,........................................... ..............-.........."..-" .........----.....----...............................................
Administered by Department of Environmental Resources Management,
o e (0 td 't ) Biscayne Bay Restoration and Enhancement Project, III N.W. 1st Street, Miami,
: wn r u oor Sl e Florida 33128 112660'8'0
: ' .
Located Flagler Memorial Island, Miami Beach, Florida 112661;8;0
I of 2
6/19/00 3, 15 P~1
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Monument to Henry Morrison Flagler (1830-1913), a financier associated with
John D. Rockefeller in developing Standard Oil Company. He organized Florida
East Coast Railroad in 1886, extending the line down to Miami (1892-1896) and
Key West (1913), building palatial resort hotels along its route, and thus
triggering the growth of the southern part of Florida. The monument was repaired
in 1970 because it was in danger of sinking. The four figures at the base of the
sculpture were sculpted by H. Peterson. For related newspaper articles see the
Miami Herald, July 28,1929; Dec. 5,1937; June 23,1940; Aug. 16, 1959; Nov.
28,1961; Sept. 16, 1966; Feb. 3,1967; May 3,1968; and Nov. 8,1968.
Surveyed 1994 October. Treatment urgent. Sculpture is painted and paint is not
in good condition. The top of the obelisk is eroded away. Sculpture shows
evidence of exposed armature, structural instability, broken parts, cracks, guano,
black crusts, staining, and spalling. Sculpture is chalky. Graffiti paint and etched
gouges are apparent on base. Base shows evidence of guano, black crusts,
erosion, and spalling. Base is chalky.
Save Outdoor Sculpture, Florida, Miami survey, 1994.
Metro-Dade Center, Art in Public Places, 1988.
Metro-Dade Center, Art in Public Places, "Monuments in Dade County," Nancy
Block, 1988.
lIAS 66310005
Remarks
Condition
IReferences
!mustration
IControl No
[Select Catalollsl [Previous Menul [New Searchl [Previous Pagel [Next Pal!el fBriefViewl [Go Back]
Smithsonian Institution Research Information System.
20f2
6/19/00 3:15 PM
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EXHIBIT liB"
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EXHIBIT lie"
METRO
-
Statuetory
Rape
The Flagler Memorial,
once a proud paean, Is now
floundering In neglect
'Flagler Island
has been one
of the last
things Miami
Beach has
BY 'LISSEYTE CO,ASA
From a distance Flagler Memorial Monu-
ment appears pristine against the backdrop
of a cerulean sky. Looking northward from
the MacArthur Causeway during daylight
hours, one sees a 96-foot obelisk that
resembles a smooth ivory sword pointing
toward the heavens. It stands on a two-acre
island surrounded by shimmering Biscayne
Bay and four Italian cement statues that
represent pioneering, industry, engineer-
ing. and prosperity.
"It's a beautiful and unique situation to
have this monument, which has been
likened to the Statue of Liberty, on an island
in the middle of the bay," says Charles Buck-
les, a designer for the Miami Beach planning
department.
The illusion. however. disap-
pears when one approaches the
manmade isle. From 150 feet
away, the scars become visible.
Parts of the obelisk and statues
are crumbling. A top corner of
the obelisk has completely
chipped away. Pieces of concrete
have fallen from some of the stat-
ues, exposing the reinforcement
bars; wind and sea spray have
eaten away facial features, fin-
gers have broken off, and cracks
connect like varicose veins. A
history of neglect and decades of
vandalism have exacerbated the
decay. "This is a classic piece of
sculpture that is just deteriorat-
ing." Buckles observes. "Sealers
should have been applied every
five years to protect it. How can
we expect to get more outdoor
art when we can't even care for
what we have?"
Located just north of Star
Island and west of Miami Beach,
Flagler Memorial Island has long
been a ramp for Jet Skiers and a
dump site for boaters, who picnic
or party and then jettison their
waste, as evidenced by a rusty
three-leg barbecue halfburied in
the sand. Budweiser cans and
Corona bottles litter the land-
embraced."
On Flag1er Memorial
Ialand, the muses are
uninspiring
They last made
rounds two
months ago
when boaters cut
the underwater
cables with their
&cape. Doritos bags and empty tubes of sun-
tan lotion are tangled in the brush. Trash
cans brim with garbage. Anti-litter signs
have been knocked down and covered in
weeds. "The rats are having a field day,"
Buckles complains.
The abuse ofhistoricaI sites is ahallmark
of South Florida, evidence that 100 years
after its founding. the area has yet to catch its
breath, ponder its past, and move gently for-
ward. Buckles and other City of Miami
Beach officials and activists want to change
this by applying for grants and enlisting vol-
unteer help to fix up this and other commu-
nity treasures. "We are in the process of put-
ting pen to paper," says Lisa Liotta,
chairperson for the
Miami Beach Beautifica~
tion Committee.
Indeed the island
has a raison d'etre. Carl
Fisher, the automobile
baron from Indianapo-
lis who developed the
Beach, had the island
dredged from the bottom
of the bay in 1929 to
honor South Florida rail-
road magnate Henry Fla-
gler. Fisher, a real estate
pioneer, admired Flagter,
cofounder of John D.
Rockefeller's Standard
Oil empire. Although he
arrived in South Florida a
few years later, Fisher
often compared himself
to Flagler, says local historian Arva Parks.
"There was a mania of creating islands dur.
ing that time," recounts Paul George, also a
South Florida historian. Even before Flagler
Memorial Island popped up, spoil islands
such as Star, Hibiscus, and Palm were play.
grounds for the rich. "But in terms ofpreser-
vation," George adds, "Flagler Island has
been one of the last things Miami Beach has
embraced."
In 1939 the property and the memorial
were donated to the City of Miami Beach. In
the years since, the city, county, and private
sector have made haphazard attempts at
preserving it, but with little success. Since
the mid-Eighties Miami-Dade County's
Department of Environmental Resources
Management has contracted Best's Mainte-
nance and Janitorial Service, Inc., to do
biweekly c1eanups.ln addition Miami Beach
has organi?;ed volunteers to pick up trash
about five times per year. The city's sanita-
tion workers, the Miami Beach Kiwanis
Club, and Environmental Cleanup of Miami
Beach also have sponsored some work.
Their task. however, is Sisyphean. After each
new wave of enthusiasm to tum the vennin-
infested trash bin into a respected landmark,
the place returns to a state of abandonment.
propellers.
"Too many hands have been involved," says
william Cary, division director for design
preservation and neighborhood planning for
the City of Miami Beach. "But not a single
one has made a continuous effort."
Perhaps the greatest damage to the island
was done in 1998, when a careless picnicker
set the island ablaze, destroying $250,000
worth of trees and landscaping planted in
1994. Although several public groups have
set aside $100,000 to repair the damage, so
far nothing has been done.
These days City of Miami Beach crews
maintain the island's spotlights under metal
cages that make the monument visible from
the causeways at night. They last made
rounds tWo months ago, when
boaters cut the underwater
cables with their propellers.
Currently the bulbs are out
because vandals smashed
them. Brad Judd. property
management director for the
City of Miami Beach. says this
year alone the illumination has
gone out on five occasions.
"We've had to pull out the cable
and splice it numerous times,"
Judd says.
It seems the only visitors
who have been able to make a
permanent mark to date are
Rich, Yol, Joel, and Rey, who
have carved their names deep
in the monument's base.
But Liotta, Buckles, and
Bruce Henderson, a Miami
Beach environmental regulator, believe the
place can be saved. They are trying to link
efforts to save the island and attract public
and private money to restore the monument
In July they will seek money from the Beach
commission and a group called Save Out-
door Structures, which is supported by Tar-
get stores. According to William Cary,
director for design preservation and neigh-
borhood planning, Buckles will also submit a
plan for the restoration and regular Il1ainte-
nance of all historic structures on Miami
Beach. "It's not just this monument, it's
other monuments," Cary says.
Buckles and Liotta have big plans for the
island. They want to have plaques printed
with the islan,d's history, add new garbage
receptacles, construct a picnic area with a
tiki hut, and build trails made out of crushed
shells. And they'd like to replace a drooping
chainlink fence that surrounds the monu-
ment with an elegant wrought.iron model.
The pair aims to raise at least $200,000 for
the project, beginning with a fundraiser in
September. If they are successful,.the lights
will truly shine again on Flagler Monument
Contacttbe authOJ ordtscuuthe story ~
with other readenlet mlamtnewtlmes.co.n
mlemlnewtlm".com JULY 6-12, 2000 MIAMI NEWTIMES 15
_~,,'" ~fF~
CITY OF MIAMI BEACH
CITY HALL 1700 CONVENTION CENTER DRIVE MIAMI BEACH, FLORIDA 33139
http:\lci.miami-beach.fl.us
COMMISSION MEMORANDUM NO.
~'2.'2-oo
TO:
Mayor Neisen O. Kasdin and
Mem bers ofthe City mission
DATE: July 12,2000
FROM:
SUBJECT:
A RESOLUTION OF THE MAYOR AND CITY COMMISSION OF THE
CITY OF MIAMI BEACH, FLORIDA, APPROVING AND AUTHORIZING
THE CITY MANAGER, OR HIS DESIGNEE, ON BEHALF OF THE
PLANNING DEPARTMENT AND THE ART IN PUBLIC PLACES
COMMITTEE, TO SUBMIT APPLICATIONS TO "SAVE OUTDOOR
SCULPTURES" (SOS), FOR BOTH AN ASSESSMENT AWARD AND A
CONSERVATION TREATMENT AWARD, FOR THE RESTORATION AND
CONSERVATION OF THE FLAGLER MONUMENT; ACCEPTING THE
GRANT(S), IF AWARDED; AND APPROPRIATING THE AWARDED
FUNDS IN COMPLIANCE WITH THE TERMS OF THE GRANT.
ADMINISTRATION RECOMMENDATION:
Adopt the Resolution.
ANALYSIS:
The Flagler Memorial Sculpture on Monument Island is located in the middle of Biscayne Bay. It
was commissioned by Carl Fisher in 1919 and erected in 1920 to honor Henry Morrison Flagler.
The monument, designed by John B. Orr, consists offour figure sculptures with a unique obelisk
measuring 110 feet in height. The statues at the base represent Prosperity, Pioneering, Education,
and Industry. The island had to be stabilized in 1971 because it was in danger of sinking. The
monument was surveyed in 1994 and urgent treatment was recommended. The sculpture shows
evidence of exposed armature, structural instability, broken parts, cracks, guano, black crusts,
staining, and spalling. The base is chalky, with layers of graffiti paint, and etched gouges.
Save Outdoor Sculpture (SOS) is jointly sponsored by Heritage Preservation and the Smithsonian's
National Museum of American Art. The Conservation Treatment Awards Program provides cash
awards for the assessment and conservation treatment of public outdoor sculpture across the nation.
The Art in Public Places Committee and the Planning Department recommend the submission of an
application to SOS for an Assessment Award of up to $850, and a Conservation Treatment Award
for a matching grant of up to $40,000, to contribute to the Flagler Memorial Sculpture restoration.
AGENDA ITEM CIA
DATE (- 1:2-.-DU
T:\AGENDA\2OOO\JUL1:wo\REGULARICQMMAIPP.SQS
Commission Memorandum
July 12, 2000
Save Outdoor Sculptures
Page 2
The following exhibits (A-C) are attached: "A" Smithsonian Research Information; "B" recent
photographs indicating damage; and "C" recent article from the New Times.
LAL:RS:~:J~~
T,\AGENDA\2OOO\JULI2OO\REGULARICOMMAJPP.SOS